My job is to write songs that have emotional meaning to me.
So much of Jazz doesn't have an audience other than music students or musicians.
Pop doesn't really look back. It can't. What makes pop work is simplicity.
You don't know what you like, you like what you know. In order to know what you like, you have to know everything.
A beat is a moment in the life a groove.
I cringed when I heard myself described as a Jazz singer. I've always thought of myself as a Jazz vocalist.
I was never interested in singing in the church or school. I was more interested in becoming a musician.
Never lose the groove to find a note.
Jazz musicians have some outlaw in them somewhere.
Art is self expression. If you are expressing someone else's personality, that is not art.
"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.
Count Basie was college, but Duke Ellington was graduate school.
Imitate, assimilate, and innovate.
You may have holes in your shoes, but don't let the people out front know it. Shine the tops.
Jazz is improvisation and syncopation, with resilience and flow, with earthy elegance, nuance and subtlety, with the integrity of individual expression within (usually) a group context, with true democracy in action.
I think that a musician is like a doctor, he's supposed to heal people and make them feel better.
Jazz is such a powerful cultural statement that it's almost as if it's intertwined with society.
Your sound is you & what you really feel inside.
I always tell people, it took me 10 minutes and 35 years in the business. I get tired of playing it ["Lullaby of Birdland"], but not of collecting the royalties.
When people ask me how is it I was a musician, I facetiously say that I'm a firm believer in reincarnation and in a previous life I was Johann Sebastian Bach's guide dog.
Traveling with a big band is like being an inmate in a traveling zoo.
I would advise you to keep your overhead down; avoid a major drug habit; play everyday, and take it front of other people. They need to hear it, and you need them to hear it.
If everyone liked what I did, I probably wouldn't be playing anything of depth.
Hell, nobody knows where jazz is going to go. There may be a kid right now in Chitlin Switch, Georgia, who is going to come along and upset everybody.
I think one of the reasons I'm popular again is because I'm wearing a tie. You have to be different.
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