We older women who know we aren't heroines can offer our younger sisters, at the very least, an honest report of what we have learned and how we have grown.
THREE DAYS TO DEAD is one of the best books I've read. Ever. Evy Stone is a heroine's heroine, and I rooted for her from the moment I met her. Kelly Meding has written a phenomenal story, one that's fast-paced, gritty, and utterly addictive. Brava! More! More! More!
A lot of my work has been about the unexpected—that kind of wanting to be the heroine and yet wanting to kill the heroine at the same time. That kind of dilemma—that push and pull—is the underlying turbulence that I bring to each of the pieces that I make.
My stories are known for featuring fun, fearless Cosmopolitan-type heroines as well as delicious, dangerous heroes synonymous with Harlequin. Afterburn and Aftershock will be no exception. I'm excited to share these sizzling new romances with readers and to do so hand in hand with Harlequin and Cosmopolitan, beloved brands known for giving women exactly what they want.
A Touch of Crimson explodes with passion and heat. A hot, sexy angel to die for and a gutsy heroine make for one exciting read!
We dream forever unless we awaken. We move from one dream to another, some beautiful, some we're the hero or the heroine, some horrible, some nonsensical, some boring.
People see their own lives as stories; a lifelong story with a single hero or heroine... much contemporary unhappiness is due to the fact that people in high tech societies receive neither strong myths and stories from their culture nor the ability to construct their own... they lose the plot.
I'd always wanted to be an action heroine. That's a chick dream, getting to wear a leather bodysuit and be blonde and kick ass. But, what really attracted me to 'Dredd' was the script. It was fantastic! It was about people and characters, and not just about explosions and fighting.
I will not adopt that ungenerous and impolitic custom so common with novel writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding?joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid leaves with disgust.
In the early years of the Roaring Twenties, American women not only won the right to vote but they also earned headlines along side their male counterparts during the Golden Age of American sports. Michael Bohn shares an engaging story of how two sports heroines, tennis player Helen Wills and swimmer Gertrude Ederle, helped embolden women to seek self-fulfillment by challenging the status quo.
Butterfield 8, with its call-girl heroine working her way down the alphabet of men from Amherst to Yale, appeared at a very formative moment in my adolescence and impressed me forever with the persona of the prostitute, whom I continue to revere. The prostitute is not, as feminists claim, the victim of men, but rather their conqueror, an outlaw, who controls the sexual channels between nature and culture.
In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.
Nature I believe in. True art aims to, represent men and women, not as my little self would have them, but as they appear. My heroes and heroines I want not extreme types, all good or all bad; but human, mortal--partly good, partly bad. Realism I need. Pure mental abstractions have no significance for me.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
I can still love my heroine like i did when i was 26. I can still do the same action scenes.
Alexander the Great changed a few boundaries and killed a few men. Both he and Napoleon were forced into fame by circumstances outside of themselves and by currents of the time, but Margaret Sanger made currents and circumstances. When the history of our civilization is written, it will be a biological history and Margaret Sanger will be its heroine.
I was fortunate to sell at a time of great sea change in the romance genre; suddenly heroines were allowed to be portrayed as having rich, fulfilling lives. They didn't need a man for security or self-esteem, but having that one very special man in their lives proved the icing on the cake.
We all recall the cruel stepmother in fairy tales. That archetype is often a necessary element in a fairy tale so that the heroine/hero can become a person of character and power. Stories of heroes and heroines often begin with a wound or loss or injustice and end with heroic acts of restoration.
We are all the heroes and heroines of our own lives. Our love stories are amazingly romantic; our losses and betrayals and disappointments are gigantic in our own minds.
Ananna of Tanarau is a delightfully irascible heroine, inhabiting a fascinating and fresh new world that I would love to spend more time in. Pirate ships? Camels? Shadow dwelling assassins? Yes please! Can I have some more?
I think one of the things that is easy to have happened in a superhero story is that the female character, whether she be a heroine or not, can often be the wart on the man.
Yeah, I treat all my heroines like children now. I pick them up, I cuddle them, I call them baby.
I’m a huge fan of the books myself, so to know that I got to play Clary – who’s a literary heroine to me – was a huge honour.
You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable.
That was how the heroine of a book would play it and Diana was still writing her own story the best heroines she'd always believed took their fate into their own hands.
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