I didn't shoot any guns then or when we did the scene with Uncle Charlie [Matthew Goode] and Evie [Nicole Kidman] in the hall. I sort of pressed the button but there were no blanks or anything in there because I think it was always going to cut.
I rarely get the "Annie Hall" references other than from people who are aficionados of movies, people who really care about movies. But in general, people don't even think about it.
[Miranda Hentoff] was teaching once at Lincoln Center, and the hall was full of other professionals - musicians, professors, teachers. And she was explaining how [Béla] Bartok composed his second piano concerto. And she explained how the music was interwoven with the rhythms and what he had in his mind. And I was just stunned. This is a kid who used to work - on a piano with a cracked keyboard.
I won Iowa not because the demographics dictated that I would win Iowa. It was because I spent 87 days going to every small town and fair and fish fry and BFW Hall, and there were some counties where I might have lost, but maybe I lost by 20 points instead of 50 points. There's some counties maybe I won, that people didn't expect, because people had a chance to see you and listen to you and get a sense of who you stood for and who you were fighting for.
Great quotation collections glean the millennia, distill essences, and battle for bragging rights about who’s bigger, who’s smarter, who’s best. Who-knows-who-said-what has a market, a history, and a hall of fame.
If anything, I learned most from being a huge fan of his and watching movies like Annie Hall and Manhattan over and over again - that influenced the kind of movies that I wanted to make more than anything else.
Foreign policy is like hitting a baseball: if you fail 70 percent of the time, you go to the Hall of Fame.
Splitting the atom is like trying to shoot a gnat in the Albert Hall at night and using ten million rounds of ammunition on the off chance of getting it. That should convince you that the atom will always be a sink of energy and never a reservoir of energy.
Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!
I am a little troubled about the tea service in the electronic computer building. Apparently the members of your staff consume several times as much supplies as the same number of people do in Fuld Hall and they have been especially unfair in the matter of sugar.... I should like to raise the question whether it would not be better for the computer people to come up to Fuld Hall at the end of the day at 5 o'clock and have their tea here under proper supervision.
In the course of my day, I'll probably go through four pairs of shoes! I start the day in flats.I'll change into some mid-range heels because if I typically have lunch speeches. Then, I'll drop down to a pair of kitten heels for a couple of hours to rest my feet and legs, before I change for the evening into my hall shoes.
I went to the American Academy of Dramatic Arts, which was in Carnegie Hall, which itself was exciting - just to walk into it.
We should be able to bring the practice of meditation hall into our daily lives. We need to discuss among ourselves how to do it. Do you practice breathing between phone calls? Do you practice smiling while cutting carrots? Do you practice relaxation after hard hours of work? These are practical questions. If you know how to apply meditation to dinner time, leisure time, sleeping time, it will penetrate your daily life, and it will also have a tremendous effect on social concerns.
If you're talented enough and play long enough, and put up numbers, you'll get to the Hall of Fame. That doesn't make you a World Series winner.
I like to use my Larry Bird analogy, because I'm from Boston. It must have been frustrating playing behind Larry Bird. Because no matter what happens, good or bad, he's the guy. And you've got no chance of getting in. That's just the way it is. It's tough to play behind a future Hall of Famer.
There's three things that as a professional athlete you want. You want to get to the big leagues, and I accomplished that. Winning a World Series ring, I got that. And then getting to the Hall of Fame. That's everybody's dream. Every athlete, they want to be up there in the Hall of Fame, mentioned with the greatest players to ever play this game.
I count it an honor to play with some guys that I've watched play on television, and may be in the Hall of Fame some day.
The hot hall full of painted girls and American soldiers is a saloon in some Western film. This noise drenches us, wakens us to do something else. It shows us a lost path.
I haunted streets, whorehouses, police stations, courtrooms, theater stages, jails, saloons, slums, madhouses, fires, murders, riots, banquet halls and bookshops. I ran everywhere in the city like a fly buzzing in the works of a clock, tasted more than any fit belly could hold, learned not to sleep, and buried myself in a tick-tock of whirling hours that still echo in me.
One thing I've always loved about the culture at Microsoft is there is nobody who is tougher on us, in terms of what we need to learn and do better, than the people in the company itself. You can walk down these halls, and they'll tell you, 'We need to do usability better, push this or that frontier.'
I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
Judgments about who belongs in the Hall of Fame are extremely subjective.
I was charmed by a performance given by Crowded House at Toronto's Massey Hall where the bass player broke a string.
A formative influence on my undergraduate self was the response of a respected elder statesmen of the Oxford Zoology Department when an American visitor had just publicly disproved his favourite theory. The old man strode to the front of the lecture hall, shook the American warmly by the hand and declared in ringing, emotional tones: "My dear fellow, I wish to thank you. I have been wrong these fifteen years." And we clapped our hands red. Can you imagine a Government Minister being cheered in the House of Commons for a similar admission? "Resign, Resign" is a much more likely response!
I thought of the scene while writing scenes with Rebecca [Hall] and wrote it like an opening montage of showing where someone works. If you see a film about a car mechanic, you'd show the place they work and what they do. So, that's what I set out to do with Rebecca's character. I thought it probably wouldn't even make it into film but I ended up liking it.
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