I've worn black today, because I've heard so often that it's supposed to be slimming. But instead I am this sphere of darkness submarining through the halls.
Big halls allow me to be a little "larger" and the challenge is make the show feel intimate.
Now what's important is that they have an attitude. Everybody has a look, but not everybody has cultivated what their stage persona is. And so when you're dealing with actors, it just makes it more difficult, because you have to help them come up with one. You know, Johnny Depp has no Johnny Depp character when he's onstage. You haven't seen An Evening With Johnny Depp at Carnegie Hall.
In a personal way, to do with family and the father-son relationship, in a kind of artistic way with regard to him being an art student. I also studied the visual arts at Lancaster University. I then decided to become an actor as he was becoming a musician. And then as an actor/performer, we have similar sort of interests - music hall and that whole world. So, there's a lot that I felt connected with.
I hate to say stuff like this because everyone dreams about playing The Opry, everyone dreams about playing Gruene Hall, but I've always tried to not concentrate too hard on where I want to go because I know if I put too much stock into it, it would be pretty disappointing if I never got there.
I used it in a shot where Richard Burton goes down the hall to get a gun in a closet. And I wanted to get some excitement, and the hallway was too narrow for the dollies that they had at that time. So it was quite useful.
In "Virginia Woolf" I had a thing which the grips called the paraplegic which was a wheelchair thing that I had made up years before where I could stand on this bicycle-like device and be pushed down the hall, and then step off it with a handheld camera.
It's right around this time that her Grandmother Hall dies. And Eleanor Roosevelt is responsible for making all the funeral arrangements. And there are a couple of things that she really understands, as she contemplates her grandmother's life and makes the funeral arrangements. One, she's really talented, an organizational woman. She knows how to do things. She begins to compare her life to her grandmother's life. And it's very clear to her that being a devoted wife and a devoted mother is not enough.
And her [Eleanor Roosevelt] Grandmother Hall provided her really with a quite wonderful education, and a freedom that, within the framework of Tivoli (which is a framework of discipline and order) is also a very encouraging and loving one.
I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.
And Grandmother Hall really imagines that she can raise Eleanor and her two brothers differently than these children were raised. And if she is very strict and everything is very regimented and ordered and disciplined, that they will become the perfect children who her own children did not become.
Cities should function more like ecosystems, or even metabolisms. When we build, we should be thinking about how we can integrate into the ecosystems around us, but without sacrificing all the niceties of civilization like good restaurants, concert halls, and high-speed Internet access. I'm saying that partly tongue-in-cheek, but I'm also deadly serious. The future of technology is sustainable ecology.
The only urgency that I ever had was when my mom was alive. She died last year in September of 2006. She was my number one fan and she always said I'd love to see you go into the Hall of Fame. That was the only urgency that I ever had that I wish if I was going to go into the Hall of Fame that certainly it would've happen when she was around, but it didn't and now that she's passed.
Even talking about change can be threatening to entrenched interests...Careers in the Pentagon, the board room, or the halls of Congress are not advanced by creating the disruptions that go with real change, so there are very few voices willing to speak up for the future and move beyond rhetoric to make serious choices.
What if in my waking hours a sound should ring through the silent halls of hearing? ... Would the bow and string tension of life snap? Would the heart over weighted with sudden joy stop beating for very excess of happiness?
I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work
I learned from Ethel Waters, Duke Ellington, Adelaide Hall, the Nicholas Brothers, the whole thing, the whole schmear. [The Cotton Club] was a great place because it hired us, for one thing, at a time when it was really rough [for Black performers].
I was more into music, before I got into college. In high school, I used to play guitar and sing. I did a lot of that. But, when I graduated and went to college, I remember my freshman year and this girl from across the hall, who is one of my good friends to this day, had a brother who was in the school improv team. We went to go watch a show and it blew my face off.
As soon as the boy left the hall, Ramsey suggested that Brodick fill Gideon in on all that had transpired. "Our commanders are going to have to coordinate their efforts for the attack," he said. "Iain wants Winslow and Dylan and you to handpick the soldiers who'll ride with us into England." "We're attacking England?" Gideon asked, astonished. "No," Brodick answered. "Though the thought of it warms my heart.
I want to clarify that one doesn't need to be a scientist or have fancy college degrees to know the truth about the health of our children, our communities, and the planet. Community members generally know far more about the health of their own communities than visiting "experts," yet that knowledge is often discredited because of another story that we tell ourselves: "real" education happens [only] in the halls of universities.
I believe at the end of my career I'll be retired into the recurring character hall of fame.
Gypsy [Rose Lee], who was called Louise as a kid, gave her first performances here with her sister [June Hovac], playing for the local Masonic lodge halls. It was a tight-knit community, and the support and success the act enjoyed here enabled them to hit the road and make it in big-time vaudeville.
The Rock 'n' Roll Hall of Fame was a great idea when it started, but I think they ought to close it, I think it's full.
Those who will may raise monuments of marble to perpetuate the fame of heroes. Those who will may build memorial halls to remind those who shall gather there in after times what manhood could do and dare for right, and what high examples of virtue and valor have gone before them. But let us make our offering to the ever-living soul. Let us build our benefactions in the ever-growing heart, that they shall live and rise and spread in blessing beyond our sight, beyond the ken of man and beyond the touch of time.
Yes, Yes Yall, You know we talkin it all see how we bringing the street corner to Cargenie hall
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