Practice is a shared history of learning. Practice is conversational. 'Communities of Practice' are groups of people who share a concern (domain) or a passion for something they do and learn how to do it better (practice) as they interact regularly (community).
I'm no mathematician, so I'm stuck with the graphic representations.
I have solved what color is, however ; I still have no idea about what line is.
When I put together a graphic novel, I don't think about literary prose. I think about storytelling.
My kids love anime, but I don't show them the really graphic stuff
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
I really like books that you can kind of hear as much as think about, that are so graphic and visual.
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
I don't think anyone has written a great graphic novel.
No one loves authenticity like a graphic designer. And no one is quite as good at simulating it.
Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the “imagetext” incarnate
Maybe, just maybe, there should be a graphic novel dealing with the contribution of the women of the civil rights movement, to tell their story. The pain, the hurt. They raised their children. Some were working as maids, but when they left those kitchens, those homes, they made it to the mass meetings. And they put their bodies on the lines, also.
Comics are actually dubbed by euphemistic label of graphic novel, which became a big deal.
In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
The R.I.P.D. picture is like a graphic novel, I guess. I don't know if it's like a typical kind of comic book. But there is great source material for those kinds of films.
Graphic novels and comic books offer an easy foothold into that world, and screenwriters and studio execs gravitate toward those, because I think they can see it all right there. It's like, "Here's what the movie looks like."
What is especially striking and remarkable is that in fundamental physics, a beautiful or elegant theory is more likely to be right than a theory that is inelegant. A theory appears to be beautiful or elegant (or simple, if you prefer) when it can be expressed concisely in terms of mathematics we already have. Symmetry exhibits the simplicity. The Foundamental Law is such that the different skins of the onion resemble one another and therefore the math for one skin allows you to express beautifully and simply the phenomenon of the next skin.
I read graphic novels, here and there, but I'm not a comic book guy, as much.
In my book "Sound Unbound" we traced the guy who actually came up with the main concept for the graphic design of the record cover sleeve. His name is Alex Steinweiss. And one of the things in my book that we really tried to figure out was the revolution in graphic design that occurred when people put images on album covers.
I want to create an atmosphere that can be consciously plumbed with seeing, like the wordless thought that comes from looking in a fire.
I didn't go to school for fashion, I didn't have anybody to teach me anything about fashion - that's all I knew how to do, graphic design.
Compared with now when almost everyone knows what graphic design is and has some sort of access to the tools to make it, back then, it was really esoteric, you had to quantify it as being 'like commercial art', as one still does in certain circles. It was a strange thing to want to do for a living.
Mr. Spock : 'I began to study human behavior from an alien perspective, thinking, humans are interesting, sad, foolish, but worthy of study.
I read a lot of graphic novels - some of my favorites graphic novelists or artists are Rebecca Kraatz, Gabrielle Bell, Graham Roumieu, Tom Gauld, and Renee French.
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