The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.
There's no way, of course, to fully understand what an illness does to someone or what emotional state or physical state it puts you in, but to show respect, yeah, definitely I've had a chance to talk to many people that - it wasn't really a specific illness that quote-unquote, I researched, and as I said, if I was a good actor I would have done that. But you know, I just wanted to pay respect without putting too much into it.
If you want to get into the business of doing voices for cartoons, you've got to be a good actor. It's all about acting. It's not about the voice. The voice is just one part of what you bring to the character.
I'm not a very good actor, so I break character all the time.
They were all wonderful [on Andy Griffith Show], but I enjoyed Andy and Don and Ron the most. Ron played little Opie so well. He really took acting seriously and worked hard to deliver his lines well. Andy was always fun and liked to tease. Don was nothing like Barney. Don was very quiet, which shows what a good actor he was.
A good actor's director, first of all, is prepared, so there's not an exorbitant amount of wasted footage.
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors, I don't know.
There's no such thing as good voices. Because there's no such thing as bad voices. There are only good actors and bad actors.
I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.
I think any good singer needs to be a good actor. You have to be able to tell the story.
For people who want to get into the voiceover industry, even if you want to get into commercial, you need to become a really, really good actor.
When you work with a good actor, there is this natural rapport and chemistry that develops over time. That chemistry helps your characters come alive and makes the story of the film that much more convincing.
You'll never see any two good actors approach a role in the same way.
I'm not in this business to win a popularity contest, I just want to be a good actor. Well, you've failed at being a good actor. Why not try for the popularity contest?
I think a lot of good actors - for instance, Gary Sinise - have no training. His training was really entirely on his feet. I suppose you have to have an instinct for it.
I agree when others say I am underrated as an actor... When you give super-hit films then only you are considered as a good actor. At least that is how it is there in our industry. I think you need to be successful to be appreciated.
There are two main jobs in acting - the first one is to be a good actor, and the second one is to convince everyone that you're a good actor.
When you've got good actors, they're going to come up with good stuff, but you're never quite sure how the dynamics are going to work between them.
I'm best known as a stand-up comedian, but I'm a good actor in the right role.
Actors are born, good actors are trained. Dancers are born, good dancers are trained.
I just want to do the best possible job with everything that I do. But I'm far more concerned with being a good father as opposed to being a good actor because that's what's really going to matter.
I'm much more concerned with being a good dad than a good actor, being there for my children, educating them and hopefully helping them avoid some of the mistakes that I've made.
If you would be a leader of men you must lead your own generation, not the next. Your playing must be good now, while the play ison the boards and the audience in the seats.... It will not get you the repute of a good actor to have excellencies discovered in you afterwards.
I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
A theater is such a revealing form of art, such a transparent and good actors, they're such powerful individuals. I always kind of dreamt that one day I will open my mouth on stage.
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