Good actors, you always know what they're thinking. That's why they're good actors.
I think good actors - good, collaborative actors who see themselves as leaders in a given production - can and should offer ideas that have nothing to do with wanting to direct themselves.
I'll never be a good writer, and no chance of being a good actor.
I know that I'm better as an actor when I'm working with a good actor. I think anytime you're working with a better actor, it makes you a better actor.
That's where I'd like to be: when the business says here's a good actor who is marketable so we can use him. Just that.
I think people think I'm accessible. I'm never treated as a star, either by fans or other actors, and I like it like that. I don't get the star treatment. I think that means I'm a good actor. They acknowledge me as a human being, and to me, that's invalua.
I want to be a good actor more than anything - someone you can respect.
People are confusing me with a good actor when I'm just a good mimic. When someone asks me to play a nun from the fifteenth century, you'll see what I mean.
I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.
I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
I never was able to do karate. That's calling me a good actor. I act like I can do anything.
I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
A lot of good actors tend to be quite introverted as people.
I'm getting to the point where they see me as a good actor, rather than just a good guy who can act.
I think all great actors - and I don't classify myself as one of them, incidentally - but I think all great actors listen well and I've learned that from a lot of the very good actors with whom I've worked - to really listen to what people say.
I was never ambitious to be a good actor. I just love doing it and I seem to be quite suited for it.
What I hope is that I don't just become 'Peter from The Lion, The Witch and The Wardrobe.' I want to try and do something else to be a good actor and a respected actor.
The trick to being a good actor is getting so involved in your character that the camera disappears, the 50 bored guys eating doughnuts disappear, friends disappear. To get to that point when you don't have to think about it, you're just acting and reacting in those circumstances.
Competition is healthy. Competition is life. Yet most actors refuse to acknowledge this. They don't want to compete. They want to get along. And they are therefore not first-rate actors. The good actor is the one who competes, willingly, who enjoys competing. An actor must compete, or die...Peacefulness and the avoidance of trouble won't help in his acting. It is just the opposite he must seek.
The new America, instead, is fast becoming a vast ghetto in which all of us, conservatives and progressives, are being bled dry by a relatively tiny oligarchy of extremely clever financial criminals and their castrato henchmen in government, whose job is to be good actors on TV and put on a good show.
Seriously I suspected I was a good actor, though I didn't know it during 'Monsoon Wedding'. Now I realize the more I learn the less I know about acting... and life.
Black or white good parts are hard to come by. A good actor with a good opportunity has a shot; without the opportunity it doesn't matter how good you are.
It's interesting - a lot of good actors are good mimes. But I'm terrible. If I tried to do an impression, nobody would know what I was doing.
All good actors are unpredictable, and a little crazy in a good way, because they feel more secure playing other people than themselves.
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