Those Russians. They did worse things when they entered Pomerania than we ever did in Russia.
You can do a million different funks from a million different people and you'll never get anything exactly alike - that's what's so beautiful about it.
My folks have played everything from rock, disco, pop, funk, and blues. My dad has always brought and played different genres like jazz, classical, and Latin. With all this in my pocket, I feel I have a taste of everything for my influences.
The Meters are, I think, the most influential group in our time to come out of New Orleans, to have changed and introduced us all to a way of playing, and to a groove and a level of feel in playing funk-jazz.
I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music.
I'm always surprised that I'm still around funk and that people are still into it.
But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
Dreaming led to disappointment, and disappointment to a kind of depressed funk that wasn’t easy to shake. Better to stay in the gray than get eaten by the dark.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
There's something so showy about desperation, it takes hard wits to see it's a grandiose form of funk.
Basically I made her [ Sara Pocock] listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.
I stopped painting because I was so shocked at what I was doing and how much I wasn't in the work. The work was alien to me. I didn't know how to paint in a way that would get me out of this funk.
The only thing I wanted to accomplish was to finally get recognized by the music industry. If you know the awards, answer me this question: Do you see an award for soul music? No. They have R&B, funk, hip-hop and all sorts of contemporary things.
The concept of having staple pieces with clean, basic lines, and adding accessories to funk it all up is one that applies to both fashion and decorating. There are so many parallels.
I love jazz and funk, because it's hard. If it's not hard, it's not worth doing.
I think kids in Europe have developed a deeper knowledge of music and of black music in particular. You go to Europe, and these kids know about all this obscure funk and soul that kids over here wouldn't know. I think it's getting better in the States, though, with the age of the Internet.
I love rock, pop, and funk. I love being able to blend these three and create something unique for people.
I don't think there's any way you can worry about how many errors or how many bad plays you've made. You can get into a fielding funk just as quick as you can hitting.
I stand humbled on bended knee but, of course, the response to that would be 'Duh!' And to be given that incredible honor means that I represent the piss and vinegar, the energy, the defiance, the musicality of the Funk Brothers and Motown and Mitch Ryder and Bob Seger, Brownsville Station and Grand Funk Railroad and Eminem and Jack White and Kid Rock - are you kidding me?
The only thing harder than Terry Funk's legs are his arteries.
One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.
I can only get my drummer in the winter; he plays with Grand Funk all summer.
I scoured myself with lye soap from head to toe to get the evil funk of demon snot off me. I have flossed things the gods never meant to be flossed and used things that would be toxic to most living organisms. All to sanitize my body for your chewing pleasure.
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