And my wrist froze STAGE FRIGHT
But if you miss it, you will next be confronted with the angry deities, ... threatening you and barring your passage ... because you turned a deaf ear to the saving truths of religion. All these forms are strange to you, ... they terrify you, ... and yet it is you who have created them. Do not give in to your fright, ... flee them not! They are but ... the contents of your own mind... If at this point you should manage to understand that, ... and you will find yourself in a paradise among the angels.
The Alexander Technique has helped me to undo knots, unblock energy and deal with almost paralysing stage fright
Art's the biggest vanity: the assumption that one's view of peace or fright or beauty is permanently communicable.
The moon is hidden behind a cloud... On the leaves is a sound of falling rain... No other sounds than these I hear; The hour of midnight must be near... So many ghosts, and forms of fright, Have started from their graves to-night, They have driven sleep from mine eyes away: I will go down to the chapel and pray.
The mere possession of a gun is, in itself, an urge to kill, not only by design, but by accident, by madness, by fright, by bravado.
I love the way they run in fright when I turn on the kitchen light. And when I squish them on the ground, they make a pleasant crunchy sound.
Sailing heart-ships through broken harbors out on the waves of the night, still the searcher must ride the dark horse racing alone in his fright.
People die of fright and live of confidence.
The absolute contingency of the encounter takes on the appearance of destiny. The declaration of love marks the transition from chance to destiny and that's why it is so perilous and so burdened with a kind of horrifying stage fright.
All anyone really needs to know about barbed wire is that it can tear the arse out of your trousers, give a cow a good fright, entangle a Yorkshire terrier for life, and is nasty stuff made by greedy men.
Sports just happen to be excellent for avoiding foreign-language stage fright and developing lasting friendships while still sounding like Tarzan.
No sign of pleasure greeted the announcement. The mood in the hall was leaden. My mood was livelier. Fright is livelier than lead.
He gazed up at the blue sky and knew that heaven—at least in this life—was neither a time nor a place to be grasped and made into a possession. It came in fleeting moments and then went away again to leave one nostalgic and yearning and on the verge of tears. Very much on the verge of tears. And very frightened.
His heart is a desert island.... The whole scope, the whole energy of his mind surround and protect him; his depths isolate him and guard him against the truth. He flatters himself that he is entirely alone there.... Patience, dear lady. Perhaps, one day, he will discover some footprint on the sand.... What holy and happy terror, what salutary fright, once he recognizes in that pure sign of grace that his island is mysteriously inhabited!
When envoys are sent with compliments in their mouths, it is a sign that the enemy wishes for a truce. If the enemy's troops march up angrily and remain facing ours for a long time without either joining battle or removing demands, the situation is one that requires great vigilance and circumspection. To begin by bluster, but afterward to take fright at the enemy's numbers, shows a supreme lack of intelligence.
['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London...and I was totally unknown.... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought.
I think you need humour and a sense of fun, which is what I try to bring to my books to leaven the danger and action. The ones that really transcend the genre always have a great laugh in them, such as 'Fright Night,' 'Lost Boys,' 'American Werewolf in London' - just to name a few.
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
As for the stage fright, it never goes away. When I'm waiting in the wings to go on, it's agony every single time but I stay focused and I know that once I'm on stage it'll be fine; I'll be in my happy little bubble.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
People ask me if I have stage fright. I say, "God, no, I'm completely comfortable there. I have rest-of-the-day fright."
I have never had one moment of stage fright and performing has always been a huge thrill and source of enjoyment for me. It's part of my personality.
There's kind of like that fright and excitement all at the same time when you first see someone of his stature. Where its literally, "Oh my God, I can't believe I'm in the room with Sylvester Stallone." He disarms you. He lets you know when he talks to you, he speaks clearly, he'll make you laugh and he's very kind and warm hearted.
I'm a great self-doubter. I constantly need to prove myself to myself. I've never run to heroin or alcohol to hide that. I always have to deal with it. Stage fright is always going to be there. I have nightmares about bad gigs.
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