I know, we can barely fit them in. That is a big challenge. Treating four lead characters equally, within a 30-minute format, is definitely challenging.
Sometimes you'll read something and think, "What is going on here? There must be more to this." The constraints of the news format didn't allow for more detail, or the writer didn't see it or just wasn't interested.
Acting is what I love to do.I understand the differences between the different formats. But I enjoy whether it be film, TV or in the theater.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
I decided that instead of apologizing for having a lot to say, I wanted to create a format where people would come to hear me sing and speak.
We can speak of politics, ethics, and in this way, speak about the world. But at the same time, it's always in a way that is totally nebulous and abstracted, this way of thinking about reality. And that's why I write the way I do - it's an almost immortal way to show dependence on the biological, the political, the moral parts of us. I say immortal because we now have to find new formats, new eloquences, and resolve within ourselves this "constructed" life, a life that is incomplete, imperfect.
There are many things that have stayed consistent. But the biggest change, of course, is technology, the way it's used, the way films are shot, the format that they're shot in, and the way films, of course, are edited. It's very different than it was in the past.
You can really do some clever editing even within the limited two-track format.
I think I heard it [ Ferris Bueller's Day Off ] earlier. This was being played on a station in San Francisco called Live 105, which was a new wave station. It was one of the first stations to change its format in the early '80s. There was this wave of really strange music coming from Europe like Kraftwork and Freur.
It is of course daunting to make ones public debut in a new format, particularly with a well loved character, and in a medium as much scrutinized by the web-o-sphere as comics... But I had the comfort of having great editors at IDW (Chris Ryall and Denton Tipton) and I knew whatever I wrote, Ilias would make me look good.
I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
When you do 22 episodes of a network show, it's incredibly useful to have a format that gives you a jumping-off point for a story.
I like the idea of experimenting with different kinds of formats, and I think you've got to keep on your toes and keep changing.
The graphic novel form really interests me and I like the freedom that format offers.
The spiritual master can instruct the disciple though many different formats.
I'll also listen to music on a Discman and realize how nice it can sound when it's not compressed to MP3 format.
We don't work in the traditional TV format where we're like writing concurrently to shooting. Like, we really view it as a large feature film.
I love every type of listening format, from MP3s to CDs to vinyl. There's something special about each one. It's a sign of the times. I love looking back, and even putting new music on vinyl - if it's right!
It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.
I always liked stories that carry on and have a different format from the normal music video.
I sold all my medium format equipment in 2005 after Canon came out with the 12 megapixel EOS 1Ds.
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