Look folks, we know who built this country and we know who is going to rebuild it. It's you. Instead of vilifying you, we should be thanking you. We owe you.
Folks, you're the reason that the automobile industry is back. Whether it was the wage freezes, the plant closures, folks, you sacrificed to keep your companies open. Because of your productivity, the combined auto companies have committed to invest another $23 billion in expansion in America.
I haven't got as much money as some folks, but I've got as much impudence as any of them, and that's the next thing to money.
I think that I don't panic as much as the folks on the left or the right do. I don't have that sense of panic.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
What I like about pop music, and why I'm still attracted to it, is that in the end it becomes our folk music.
But more than anything else, for the British folks Irish people were all terrorists. So when we went to Britain, it was always a lot of resistance to U2. And that's why we came to America.
'Outlaw Cook' was a revelation. Folks like Jeff Smith and Marcella Hazan got me interested in cooking, but John Thorne pushed me into the path that I follow to this day. This is the only cookbook I've ever read that understands how men really eat: over the sink, in the dark, greasy to the elbows.
Most of the trouble in this world has been caused by folks who can't mind their own business, because they have no business of their own to mind, any more than a smallpox virus has.
Real popular culture is folk art - coalminers' songs and so forth.
Many folks think they aren't good at earning money, when what they don't know is how to use it.
I understood that my family was rich in love but would probably never own the land my father, John, dreamed of owning. My mother, Willie Ella Mays Clarke, was a washerwoman for poor white folks in the area of Columbus, Georgia where the writer Carson McCullers once lived.
I did some research once on the way people in the past imagined the year 2000. They tended to picture the things they already had getting more sophisticated - flying cars, self-cleaning windows. And the folks in the early 1900s had a wildly optimistic estimate of the future of pneumatic tubes.
I don't think the folks in the low-tax states really want to go into a fairness discussion. Residents of Connecticut and New York would love to remind them how much they pay in federal taxes to support programs for Mississippi and South Dakota.
There's more student debt than credit card debt! Everywhere I go, I run into young people trying to build careers while they keep shelling out money on their education loans. If the economy is looking for a new generation of home-buyers, I can't imagine they'll get it from these folks.
My mom and dad passed away from cancer. Within nine months, I lost both of my folks. Immediately after that, I had a horrible betrayal where my brother, who worked for me, stole a lot of my money. He's in jail now.
Nobody gets a nervous breakdown or a heart attack from selling kerosene to gentle country folk from the back of a tanker in Somerset.
I've always been scared of advertising folk. I've met them at parties and I've been to their offices and I've always found them intimidatingly cool. At one company I visited, they held their meetings in a caravan that had somehow been installed in the place, a rather more exotic place to gather than the typical BBC glass box.
There was one thing my daddy wouldn't tolerate in any shape, form or fashion, and that was being unkind or rude to somebody. That was just very important to my folks. And as it turns out, that was a legacy that he left me that money can't buy, is how to be able to treat people.
Hip-hop is the last true folk art.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
I see a lot of connections between folk and punk music just because they're both subcorporate music - I mean, traditionally.
The first music I was ever exposed to was Irish folk music, like the Clancy Brothers. My father plays that and Christmas songs.
I became interested in folk music because I had to make it somehow.
Folk music is a bunch of fat people.
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