The more successful the villain, the more successful the picture.
Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that’s the job I do.
You need contrast and conflict in order to tell a story. Stories need to have dark and light, turmoil, all those things. But that does not mean the filmmaker has to suffer in order to show the suffering. Stories should have the suffering, not the people.
IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.
Revealing yourself, physically or emotionally, to cast and crew is frequently uncomfortable. But it is essential if you want to to tell the truth. I felt more at ease being bold with some than I did with others. I was incredibly fortunate to have worked with Randy Harrison as Justin Taylor. We share enough taste in music and art to have had a real camaraderie, and luckily that evolved into a deep friendship.
The great art of films does not consist of descriptive movement of face and body but in the movements of thought and soul transmitted in a kind of intense isolation.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
A story should have a beginning, a middle and an end, but not necessarily in that order.
Cinema’s characteristic forte is its ability to capture and communicate the intimacies of the human mind.
All drama is conflict. Without conflict, there is no action. Without action, there is no character. Without character, there is no story. And without story, there is no screenplay.
My best film is always my next film. I couldn't make Chungking Express now, because of the way I live and drink I've forgotten how I did it. I don't believe in film school or film theory. Just try and get in there and make the bloody film, do good work and be with people you love.
Like all art forms, film is a media as powerful as weapons of mass destruction; the only difference is that war destroys and film inspires.
Filmmaking is just a very luxurious and efficient way of expressing yourself.
Star Trek was an attempt to say that humanity will reach maturity and wisdom on the day that it begins not just to tolerate, but take a special delight in differences in ideas and differences in life forms.
The road to hell is paved with adverbs.
Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
We lay out our lives in a narrative we understand, like a movie, but are you enjoying making it or are you wondering who's watching my movie.
It was I who made Fellini famous, not the other way around.
Thhe essence of documentary filmmaking is how you manipulate the material to create an emotional impact, as opposed to just delivering information.
I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.
I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
Filmmaking is not a balancing act, although some directors think it is. I don't believe in it. I like ups and downs. They're the best way to translate my feelings to the screen.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
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