Every generation deals with the breaking down of its tradition, and I think that they rediscovered the film.
A good part of why I never went back to England was part of that, I didn't want to be in those sort of flowery films. But I think it's a nice change of pace-I don't know how long it'll go for. There will always be the Merchant-Ivory/Kenneth Branagh movies, but there's something else now-really, it's always been there but the Americans getting to see it makes all the difference.
My mother did movies from the New Wave, but I was quite shocked I didn't know much about that period. Bernado showed us film of the demonstrations of the time.
Quentin Tarantino asked me to work with him but there is no way I am going to do that while Matthew Vaughn is working in film.
We were asked to believe that the variety and the novelty of even the crude films of the early days would provide a means of entertainment which would cut out the stage.
A very receptive state of mind... not unlike a sheet of film itself - seemingly inert, yet so sensitive that a fraction of a second's exposure conceives a life in it.
The difference being that in films, unlike in life, good does always win over evil in the end.
But, I've made films in Japan, in Yugoslavia, all over Europe, all over the United States, Mexico, but not Hollywood.
Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films.
So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true.
I've always listened to a lot of film music, actually.
It makes it difficult to decide which to go see, since no film about say, some tragic genocide in Africa is going to get a bad review even if it's poorly made.
In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
In most of the European countries - France stands out in its resistance to this particular form of American cultural imperialism - the national film industries were forced onto the defensive after the war by such binding agreements.
The film was fair to his musical achievement and gave him every opportunity to explain himself.
I've done almost 20 films and I still worry about not finding the next one.
To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.
Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
I said I would do all the films about the commercials, and the films about ball-bearings and Ford tractors and so on, if once a year they gave me money for a free film.
It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time.
I think that the episodes are like mini horror films really; the characters make bad decisions early on and these things just snowball for them and get worse and worse. And that's what I find funny.
If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
I'm really proud of Blair Witch Project as a film, but as far as the cultural phenomenon of it - that was just weird luck.
It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at.
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