I never come away from a film thinking I nailed it.
You always want your films to go as far as they can.
I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
I heard today was the day Kurt passed away 17 years ago. Can’t believe it’s been that long. So grateful for his contribution and inspiration. Not sure I’d be doing this if it weren’t for him. He gave us all permission to create no matter what our skill set and reminded me that dreams are possible. Thanks for that. This made me recall a short piece of film I shot when I heard they were making a film celebrating his life. I made it to explore the character and explore creative possibilities. I never sent it to the studio or to anyone but thought I’d share it now...
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.
I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.
I went out for a film where they wanted seven brothers and one sister, so I was there for half a day while they were waiting for 'Archie' to read for a boy I've had drivers come to pick me up in England looking for a blond, blue-eyed Scottish boy.
Stage is the most exciting. Film is lovely, because it's like a family.
I have no control over a film. I don't know what will be left on the cutting floor.
The films I liked were European films - Federico Fellini, Michelangelo Antonioni, François Truffaut.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
I lived in Vancouver, where they film so many things. So it gave me a good shot at it.
Mind you, Roman Holiday - which is kind of a romantic comedy - is one of my favorite films, and I think Audrey Hepburn is absolutely phenomenal in that movie.
I loved 'Junebug.' It was one of my favorite films, my favorite type of film.
I would love for film to go back to those days where you had to be able to do everything just to get by.
I found it very difficult to explain to someone why you did a film. It's not like having a conversation.
And I would never accept a film because of the money. I have enough money.
I don't get the romances. I did try - a film called 'Roseanna's Grave' in the 1990s. I liked it. But the audience didn't come.
Apart from the National Film Awards, I don't see any other award ceremony that I should give value to. My personal experience about these award ceremonies is that I don't trust them. I have no faith in them so I would prefer to stay away.
I have always been so interested in film as a medium.
I did a cover for Rolling Stone the other day and it was a kind of crazy lack of outfit. I thought, "Oh, Lord. I'm never going to be Jane Austen in a film now!" 'Cause that's what I'd really like to do.
Acting for me, is a passion, but it's also a job, and I've always approached it as such. I have a certain manual-laborist view of acting. There's no shame in taking a film because you need some money.
I'm not eager at all to present my life out there for public consumption. I like to do one or two films a year and then do what is absolutely obligatory in terms of promoting them. My life outside of films is vital to me.
I always liked show biz and got to make a few training films at Boeing.
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