A woman with a voice is by definition a strong woman. But the search to find that voice can be remarkably difficult.
It took me quite a long time to develop a voice, and now that I have it, I am not going to be silent.
We need women at all levels, including the top, to change the dynamic, reshape the conversation, to make sure women’s voices are heard and heeded, not overlooked and ignored.
You are more powerful than you think.
Because I am a woman, I must make unusual efforts to succeed. If I fail, no one will say, 'She doesn't have what it takes'; They will say, 'Women don't have what it takes.'
Whatever women do, they must do twice as well as men to be thought half as good. Luckily, this is not difficult.
When the female voice is repressed and stifled, the entire community can easily find themselves cut off from the sacred feminine, depriving themselves of the full image of god.
You are more powerful than you know; you are beautiful just as you are.
Madness and witchery as well as bestiality are conditions commonly associated with the use of the female voice in public.
As we search as a nation for constructive ways to challenge racism and white supremacy, it is absolutely essential that progressive female voices gain a hearing.
I really knew how to speak - from my female voice, that "different voice" that Carol Gilligan so presciently described many years ago in her groundbreaking book. Because if we try to speak in a voice that isn't ours, we lose our power.
A lot of times, films tell stories about the time we live in. So when making history, it´s just as important to give the female perspective as well as the male. We need female voices. Take a risk. Be personal.
I grew up in a household of women, they ran the show, they kept it all together. I credit my ability to write in female voices, as well as male, with having grown up with older sisters in a neighborhood largely populated by girls.
Talking Taboo is a groundbreaking book. This chorus of bold female voices is presenting the church with an opportunity to engage real but all too frequently avoided or unseen issues impacting countless Christian women today. Their candid essays cover a wide spectrum of perspectives. Readers will resonate with some and be shocked by others. Talking Taboo took courage to write. Reading taboo takes courage too. So buckle up and brace yourself for an eye-opening but vitally important read!
I actually prefer female voices to listen to, mostly, but among the male singers whose voices I like are Jeff Buckley, Art Garfunkel, that sort of voice. Contemporary crooners rather than rockers.
When I was growing up, my mom told me every story that was happening to her. Most of the stories that come to me are through a female voice in my head. My stories seem to naturally be about females.
Men have a lot less to write about, unless you're somebody like Tom Waits or John Lennon. And the female voice is much more suited to melody. Men have this barky thing - we're domesticated apes with a microphone.
... Janis Joplin has one of the most distinguished female voices of the decade. It is a voice that has been aged in Southern Comfort and cured with Kahlua and milk. It is a voice that cuts you like a razor, but you can still hear the innocence in it, a claim to purity that soars out of the garbage of her throat, carrying evil harmonies.
I did not have any role model. I could not learn anything from the female voice that male poets used, a voice which is more "feminine" than female. Nor could I learn anything from ancient female poetry that only sang about love, the feeling of farewell and longing for others.
As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.
The Sisters vanished entirely then, and Aunt Harriet was standing over Tessa, her face flushed with fever as it had been during the terrible illness that had killed her. She looked at Tessa with great sadness. "I tried," she said. "I tried to love you. But it isn't easy to love a child that isn't human in the least...." "Not human?" said an unfamiliar female voice. "Well, if she isn't human, Enoch, what is she?" The voice sharpened in impatience. "What do you mean, you don't know? Everyone's something. This girl can't be nothing at all.
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