I've no desire to be ill-dressed; but I hate the feeling that I daren't be ill-dressed if I want to.
In the beginning I drew and painted from nature in order to know her. Then later, only to fall under her spell. And today, to let her mirror my thoughts and feelings.
Look in, and know the mind is all that is; And knowing, feeling it is all, Then have ye all.
What we're going to do is use spring training as sort of a feeling-out process for Phil and Preston and our other outfielders. It gives us a lot of comfort to know that you've got a pure center fielder like Preston. But he's also so athletic, he can come in and play either corner and we'll feel very comfortable with it.
When there is no feeling of accomplishment, children fail to develop properly and old people rapidly decline.
I am really enthusiastic about my new council position because part of my satisfaction in life is feeling like I have done something. With this responsibility I hope I can accomplish things for the City of Williamstown and the people.
I'm interested in human vulnerability. We are alone, and my portraits reflect this quality. I don't want anything to get in the way of this feeling.
The less apparent the means and manner of the artist, the more directly will his work appeal to the understanding and the feelings.
What you have to do is disavow yourself from any sense other than ascendancy. That's the only direction you could possibly have towards painting. There's no other direction at all. There's no other space in art. There's no other way in which you can find yourself except in somehow feeling it. And by holding to this feeling you can once again reach out and guess and miss - and sometimes hit.
Van Gogh is the best example of how a person can be on the right track, propelled by gut feeling and some kind of strange obsessive stubborn conviction, that no one seems to understand.
What influenced my style was the feeling that I was a lousy artist... I was like the ugly duckling, not knowing what I was, style-wise, and thinking I was all on my own... I evolved into a style that couldn't be compared to anyone else.
When you look up at the sky, you have a feeling of unity which delights you and makes you giddy.
A good landscape painting is not just a demonstration of competent application of paint. It must offer a feeling of homage to the subject.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell.
I believe that the artist's feelings are in some way generative. And I suspect that much of the artist's most productive emotion - not all of it but much of it - is felt in the course of playing around with form.
One paints from nature not in order to copy, but to express feelings of grandeur.
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
When I'm feeling proud of myself, I should remember to ask myself why I think I am of any value at all. I have done nothing that a hundred thousand other people couldn't do, and most of them would probably do it better, and they probably wouldn't feel so self-important about it. I should always be ashamed of myself.
I use a special tool. I make it myself; very sharp steel point and a handle like a pencil. For me it is a pencil. Maybe I have a special talent, a feeling you might say that lets me control it, to express my ideas as though I were sketching black on white.
Man is aware; he perceives and interprets the world around him. When he uses logic as a tool for interpretation, it becomes science; when he uses feelings for interpretation, it becomes poetry; when he takes a longer view of his observations, it becomes wisdom.
Learning something new means you have to abandon, for a little while at least, the familiar and comforting. I happen to like this feeling. I remind myself that tomorrow, I will be someone who didn't exist yesterday.
To trust yourself is to trust Silence. To trust your own heart is to trust the wisdom that is radiating and shining. All the thoughts, feelings, desires, and fears are just a superimposition that is called 'myself.' When all that disappears, for at least a moment, your Self shines forth. Radiantly, clear, and empty. Needing nothing, nourished, and overflowing.
And when it is suggested that the inward feelings of power or inward monitions or losses of judgement are the germs out of which the divine machinery developed, I return that truth is just the reverse, that the presence of voices which had to be obeyed were the absolute prerequisite to the conscious stage of mind in which it is the self that is responsible and can debate within itself, can order and direct, and that the creation of such a self is the product of culture. In a sense, we have become our own gods.
On the other hand, and let's face it, there's always another hand, unless you're a Saudi Arabian shoplifter of course, hurt feelings can be quite traumatic. I've heard that it can take seconds, sometimes even minutes, to get over it.
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