I believe you can only draw from your own life as an actor. All the characters I've played, I only have my infinite eye and the presence of my life to take from.
Organizations aren't loyal; they can't be. They have to be nimble, they have to change. That means everybody in every organization will have one eye on his or her own brand, and the other eye on the organization of which he or she is a part. And the first loyalty - self-loyalty - is becoming more and more dominant, simply as a survival strategy. I'm in no way blaming anyone here; this is just simply a fact of life.
The precise laziness is akin to letting your eyes blur or glimpsing what's at the corners in peripheral vision. Or those moments when you think you see something but you're not sure you actually saw it in the end. The way I get to these places is just practice, like a kind of meditation that shapes my brain.
I think we always think of the camera - your eye, the first reveal. You know, you have to have that impact whether you walk into a house, you walk into a restaurant, you walk into a hotel; that first powerful impact establishing shot.
I've ruined my eyes, I've ruined my health from my studiousness!
Media economics now are so dependent on people saying controversial things and an entire mini-news cycle springing up around this thing that that person said. It really behooves people in the public eye to know what's in the zeitgeist and to have opinions on it. It becomes a thing of is this genuine, or is this just a way for celebrities to keep themselves relevant in a time when this is obviously a hot topic?
If you're hungry, God is feeding. You know, if you're listening; He is speaking. And I think sometimes trouble and intense hardship can make us - it made me at times, you know, block our ears, shut our eyes, it's like too much. But actually He's speaking, He's encouraging us, He's loving us all the time.
We know that Russia was involved in hacking our democracy. We know that the evidence or information is sufficient to warrant an FBI investigation of this. We are trying to do as much of this as we can in the public eye transparently. Obviously, some of it will have to be done in closed session.
I think that can also be the downfall at the same time in what's really difficult about being kind of in the public eye, you have so much exposure through the Internet, and you can receive a lot of comments, and you get kind of immediate gratification, but also immediate response from people that can either be negative or positive. But I'm really thankful for the internet because it's allowed me to connect with people so much more easily.
Women are looking out for other women and their children. There are some great nannies, and there are some horrible nannies. And I don't blame individual women for wanting to keep an eye on it. I blame the government for not having subsidized high-quality day care. Should it be on a woman no matter how rich she is to be a one-woman show where she finds the nanny, interviews the nanny, does a psychological evaluation of the nanny, supervises the nanny? It's criminal how little America cares about child care, which is to me the pressing issue of our nation.
Social media is fine, but we need to put the phones down and look somebody in the eye. Talk to your neighbor. Talk to your community. Especially talk to the one you love. It's all about connection. It's hard, but it's ultimately what gives us meaning in the world.
I enjoy the freedom of living alone and not having anyone interfere with my belongings. I mean, I'm quite a selfish human being. I think being in the public eye and growing up, it's made me quite selfish in some respects. I can be extremely generous with friends, but in relationships I can be quite mean in terms of my time and my affections. I take people for granted, and I'm trying not to do that.
White people are so unappreciative, they don't even acknowledge and understand what it means to be white in Canada, and all the layers of privilege that come with that. So they're shocked when somebody says, 'What just happened is racist,' and they said, 'Oh no, couldn't possibly be.' They see racism as people with KKK gowns and pointy hoods with eyes cut out. And we had those too.
I know there are a lot of eyes on me now from young girls, and it makes me so proud. The only Black woman examples aren't Rihanna and Beyoncé. It makes me proud that I am a classical ballerina and they can look at me and see another way to succeed. That is setting a new standard.
Some memories are best absorbed through your eyes in real time, even if you have no record of it later. Because then you can access that memory and how you felt in that moment. If you're looking at your cellphone screen, taking a video of something that is otherwise unforgettable, watching it later will not recover the emotion you would have had, had you witnessed it directly.
I try to keep my eyes and ears open all the time for the bones of my next song: things people say, melodies I hear in my head, and little musical parts I may stumble across. I write them down or record them on my phone. Whatever I need to do to keep the idea for later when I have the time to sit down with it. So writing for me is a 24/7 pursuit.
As you get older, your songwriting starts to become less and less about you, and especially when you have kids and a family. You start to see the world through other people's eyes a lot more to the point where it's hard to go back and relate to that "me against the world" perspective that I think a lot of my earlier songs were about. It's not so much about "me against the world," it's, how do you make the best possible future for your kids to grow up in?
When you put an image on the newsstand, you have literally two seconds to get somebody's attention. Often, with many of the subscriber covers, they're far away and the thing that catches your attention more than anything on the newsstand is eye contact.Because you've got a smaller image, and sometimes a darker image, often it doesn't stand out, as much as a traditional newsstand cover, which is why we continue to do right for newsstand.
I remember in junior high school, which is what we called it, suddenly I was looking at myself, almost through other people's eyes, and thought: how does the world see me? So that was one of the things I was really interested in, when I was writing Goodbye Stranger.
The extraordinary thing about comic books and graphic novels is that they cannot exist without the art. If my words disappeared tomorrow, well, whatever. This is a visual medium in which the eye and the mind work together to bear witness to story, to lives.
Painting from life was incredibly important for me because it allowed me to train my eyes to see everything that is there. But I realized early on that painting from life wasn't something that I was all that invested in. I was always more interested in the painting than I was the people. For me, removing that as a compulsion offered me a lot more freedom to actually paint and think about color, form, movement, and light.
It was good to see an athlete that emotional in the aftermath of defeat, to show that losing isn't good enough. Fighting hard and trying your best isn't good enough. It showed that the only thing good enough in his eyes was winning. It caused a tremendous amount of emotion from him when he didn't achieve that.
There is a tendency to want to isolate a little bit, from people that might look at me from a fan position, because it's hard to be a real person around them, and I really want that when I'm not out on tour and in that sort of public eye.
Katherine Johnson passion for math, the way I light up when I get asked questions about acting is the way her eyes danced when she talked about math and how she wanted people to fall in love with numbers the way that she did. If I had a teacher like that, I could have been a rocket scientist.
A very tall man once asked a question after my talk. Before beginning his question, he explained that the reason he was standing up is not to be intimidating but rather to make eye contact. His question was essentially "are we really interested in moral motives? Isn't it all about action?". I pointed out to him that it was not enough for him to do the right thing - stand up - but he also wanted me to know that he is doing it from the right motive or for the right reason - to make eye contact, rather than to be intimidating. Voila, moral psychology.
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