Every day, we communicate more with our energy, body language, face and eyes. That really is what communication is, and not so much words. And it's rare that you get to explore that in a film.
With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
People have always been fascinated by people in the public eye and what they wear, what they are doing, but not in a tabloid way. Tabloid celebrities are a turnoff. A lot of celebrities...you wonder why they are celebrities.
Literally as I walk into the studio I say, "God, hollow me of all my junk. Hollow me of my insecurity, my pride and my doubt. Make me hollow enough that you can breathe something through me that would turn eyes to you." And whether that's a song or a conversation you're going to have with a co-worker, or whatever you're facing, that's for everybody.
In what I do for a living, trust and confidence are key. Inevitably, you can't make brave choices and do your best work, if you don't have those, because it's such a subjective art form, and you don't have eyes on yourself.
I don't believe love is real love if it remains cloistered within the confines of an intimate relationship; it should transcend the private sphere. As an artist that means training an eye on the suffering in the world, then acting on behalf of others.
Only in the 20th century, artists started taking the study of perception in a more humane way. They were thinking about the eye as being an instrument, the whole body as being a visual instrument. That sort of gave way a little bit with Cartesian - the "Cogito ergo sum" argument. It's not, "I think therefore I exist." It's, "I feel therefore I think therefore I exist."
A movie's a movie - you know I'm a massive old film buff - but it's still something to me, music: I can still close my eyes like I was when I was a teenager, and it can still make me weep or make me angry or make me, even if it's bad music, crack up.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
We, especially those of us in depoliticized and pacified societies, need to cast a colder eye at our self-perceptions, now and in the past, as sentinels and embodiments of Enlightenment virtues of reason, dissent, and skepticism.
After Hurricane Katrina, I wanted to go back to New Orleans to help musicians return to the city. But Andrew Young advised me, "If you want to help people, go work at an investment bank." His contrarian advice opened my eyes to the importance of capital. "Learn how to make some money before you give it away." I learned that you can bring about good in the world especially if you have a paycheck.
Christians should ultimately do everything that we do with excellence. There's a story about repairs in the Sistine Chapel ... when some repair work was being done the craftsmen saw that the work on the other side of the plaster, the part not visible to the human eye was done with the same kind of craftsmanship that was done on what was visible and observable. And the explanation for that is that the work that Christians do is not just for human consumption, but it is also for the eyes of God.
There's an amazing line in Marcus Aurelius: "The healthy eye ought to see all visible things and not to say, I wish for green things; for this is the condition of a diseased eye." Maybe green is your favorite color - but if you saw everything as green, that wouldn't be a blessing, it would be an eye disease. By the same token, if there was no heartbreak, and everything happened exactly as you want - it would be a less beautiful and meaningful story than the actual story, where you're a part of a huge complicated mysterious whole.
One of the things I'm most proud of over the years, is time management and balancing family and work. Everyday, you just look at what needs to be done and do that, what needs to be done. That includes the idea that family is first, kids are first and when you're with the family, put the phone down, look them right in the eye.
Justin Lin is one of the most impressive people I've met professionally. I don't think he sleeps, or I think he sleeps 20 minutes every few hours during the night. Mostly, between shooting days, he was making rough cuts and other decisions with creative things on the Star Trek. He blew me away; in spite of working insane hours most days, his energy is incredibly generous and calm. Within the eye of storm, there was Justin there. He's someone who takes the temperature down and makes you feel calm in the middle of that, which is the greatest asset a huge production could have.
I apologize to all of my colleagues who've been writing up storms, but as a culture we've essentially put ourselves into a position where Mark Zuckerberg can say, "Privacy as a social norm is no longer relevant," and a lot of people don't blink an eye.
I am a lifelong career artist, which itself is a bit of a miracle. It's really challenging to be a career artist. I would say that the argument for grant funding is not only did my movie do some social good - hopefully it opened people's eyes - but you created a working artist. I'm hiring cinematographers, I'm hiring production designers, I'm hiring producers.
My work is a mitzvah for the eyes & ears...and it will help you forget about your problems by thinking about mine for a change!
Assassination, kidnappings and suicide attacks have become too much the standard operating procedure in the Islamic world. So much so that the name of Islam itself has been diminished in the eyes of many people. It is the responsibility of all of us, and particularly those in the Islamic world who care about their religion, to rescue it from its increased association with violence.
Go around with your eyes like a camera. Don't lose it by talking. Go and listen. And work!
We're bombarded with images. Take the time to stop and look at something then connect with them and maybe they're thinking the same thing, I used a lot of devices to catch the eye of people who have seen a lot of stuff, having worked in advertising and in editorial. I have learned to get someone to stop and look at something, that language.
I love when people write about something, I learn what I'm doing through the eyes of a good critic, positive or negative. It's still a learning experience.
The universe is in the experience. It's not just out there. What's out there, we don't know. But for humans it's an experience just like the universe for a dolphin or an insect with 100 eyes is a different experience. Our universe is a human universe experienced in human consciousness and, unless we understand how consciousness operates, we will never actually be able to participate in the creation of our personal and collective reality.
The human race sees with one eye, the male eye; hears with one ear, the male ear; and thinks with one half the human mind, the male mind. And the decisions we are making show we are not bringing to the agendas, and the questions and the problems of the world, all the resources of the world to solve them.
You can take me and then you can take a blond white man with blue eyes, and you could say, "Fundamentally, they're different." And then I could talk to that white guy about the first time he lost someone close to his heart, and I could tell him about the first time I lost someone close to my heart, and I can guarantee you that at least 70 percent of the experienced feelings will be similar. We are human beings.
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