Episodes Quotes - Page 25

• We can hardly imagine a state of mind in which all material objects were regarded as symbols of spirtual truths or episodes in sacred history. Yet, unless we make this effort of imagination, Medieval art is largely incomprehensible.

  Kenneth Clark

  Art, Imagination, Effort

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• The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.

  Warren Ellis

  Sex, Book, Bad Ass

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• In retrospect, I think it's a plus, because now we've been able to go back and spend extra time on each of those episodes and make them better.

  David E. Kelley

  Thinking, Extra Time, Retrospect

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• The same thing will happen in China that happened in Chile. Political freedom will ultimately break out of its shackles. Tiananmen Square was only the first episode. It is headed for a series of Tiananmen Squares. It cannot continue to develop privately and at the same time maintain its authoritarian character politically. It is headed for a clash. Sooner or later, one or the other will give.

  Milton Friedman

  Character, Squares, Giving

  Source: www.huffingtonpost.com

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• In a script, you have to link various episodes together, you have to generate suspense and you have to assemble things - through editing, for example. It's exactly the same in architecture. Architects also put together spatial episodes to make sequences.

  Rem Koolhaas

  Editing, Together, Scripts

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• In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.

  Marv Wolfman

  Running, Mean, Writing

  Source: www.grouchoreviews.com

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• It is amazing how much more amazing sleep is in the morning. You wake up and you're like, "I stayed up to do what?! Watch Growing Pains? What was I thinking!?" But at night you're like, "La La La La La, Hey! Growing Pains, awesome! And I've seen this episode. That Kirk Cameron's always in trouble."

  Jim Gaffigan

  Funny, Morning, Pain

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• I'm not into those shows like "hey everybody, gather round the TV, let's watch The Simpsons!" I'm not one of those guys: "I gotta get home, man, Family Guy's on! I gotta race to my TV before I miss the episode of Family Guy!" I'm not one of those guys.

  Pablo Francisco

  Home, Family Guy, Men

  Source: rocksucker.co.uk

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• The main trend with the theme episodes is that anywhere there is a misconception about the way the physical world works, we're finding fertile material. Whether it's in a phrase like "going over like a lead balloon" or "a needle in a haystack," or tackling movie myths or even a genre, like MacGyver or James Bond, we're finding that all these things can lead to people believing the world works in a certain way. It might not be correct, but we can test out if it's true.

  Adam Savage

  Believe, People, Phrases

  Source: www.avclub.com

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• You have no idea what's going to happen [in Downton Abbey] until you get the script. We roughly knew a couple of the key points that were going to happen, but when I got the last episode, I turned to the last page to check that I was still alive.

  Hugh Bonneville

  Couple, Keys, Ideas

  "Hugh Bonneville Talks ‘Downton Abbey’, The Final Season, Julian Fellowes, and More". Interview with Christina Radish, collider.com. September 28, 2015.

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• For the last episode [of Downton Abbey], you'll need some handkerchiefs. I needed handkerchiefs reading it. It wasn't because it necessarily moved me while reading it, but it was the experience of reading it when I realized it was the last time I was ever going to be reading one of those scripts. That was quite terminal.

  Hugh Bonneville

  Reading, Needs, Lasts

  "Hugh Bonneville Talks ‘Downton Abbey’, The Final Season, Julian Fellowes, and More". Interview with Christina Radish, collider.com. September 28, 2015.

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• Strength is a capacity for endurance. One of the dividends of suffering is the universal discovery the we posses a strength within us we never knew we had. Navigating through a difficult episode not only shows us that inner strength is there but convinces us it will always be there to serve us in the future. Overcoming gives us an assurance of personal confidence and value that far exceeds what we thought we possessed before our struggles began.

  Dennis Wholey

  Spiritual, Struggle, Discovery

  Dennis Wholey (1992). “When the worst that can happen already has: conquering life's most difficult times”, Hyperion Books

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• But actually my dad is a very talented director and not just his use of shots and camera, but he's very good with actors and he knows acting well. It's great to see him do that and be really good at it and he's been doing it for a while and he certainly knows how to make movies, and little movies I guess for a television show, and he's going to come back in November to direct a second episode, which I'm really excited about.

  Emily Deschanel

  Dad, Acting, Actors

  Source: www.movieweb.com

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• The great error of nearly all studies of war... has been to consider war as an episode in foreign policies, when it is an act of interior politics.

  Simone Weil

  Peace, War, Errors

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• Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.

  Vaclav Havel

  Memories, Party, Adventure

  "Disturbing the Peace: A Conversation with Karel Hvížďala". Book by Václav Havel, translated by Paul Wilson. Chapter 4: "Public Enemy", 1990.

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• I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.

  Steve Burns

  Congratulations, Three, Looks

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• Wherein lies a poet's claim to originality? That he invents his incidents? No. That he was present when his episodes had their birth? No. That he was first to repeat them? No. None of these things has any value. He confers on them their only originality that has any value, and that is his way of telling them." Mark Twain "...every literature, in its main lines, reflects the chief characteristics of the people for whom, and about whom, it is written.

  Edith Wharton

  Lying, People, Firsts

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• Someone with inborn talent isn't happy. It's those who have worked hard for someone precious to them and who can be hot-blooded that are happy." -Gai Sensei: Naruto Episode 196

  Masashi Kishimoto

  Hot, Talent, Sensei

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• Hermes rolled his eyes. "Surely you've seen network TV lately. It's clear they don't know whether they're coming or going. That's because Janus is in charge of programming. He loves ordering new shows and cancelling them after two episodes. God of beginnings and endings, after all. Anyway, I was bringing him some magic doormats, and I was double-parked -" "You have to worry about double-parking?" "Will you let me tell the story?" "Sorry."

  Rick Riordan

  Sorry, Eye, Two

  "The Demigod Diaries". Book by Rick Riordan, August 14, 2012.

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• It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.

  Bruno Heller

  Jobs, People, Mind

  Source: collider.com

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• I'm very grateful for work especially in film industry. It's highly competitive and there are a lot of people standing behind me jumping at the opportunity to only do one thing, like one movie or one TV show or one episode.

  Famke Janssen

  Grateful, Opportunity, Jumping

  "Famke Janssen Talks HEMLOCK GROVE Season 2, What’s New For Olivia, Working in Genre, and More". Interview, collider.com. July 5, 2014.

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• One week, you can have a real heavy romance 'Chuck' episode, and the next week it can be some kind of murdery mystery. It's not like doing a procedural.

  Robert Duncan McNeill

  Real, Next Week, Romance

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• Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

  William Petersen

  Goodbye, Farewell, Night

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• Anyone who has owned many cats in long succession can define his or her life as a series of furry episodes.

  Roger Caras

  Cat, Long, Succession

  Roger A. Caras (1987). “A celebration of cats”, Fireside

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• To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.

  Trey Parker

  Song, Writing, Ideas

  Interview with Aaron Franco, www.avclub.com. March 19, 2008.

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