One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.
There are certain economics involved in making a network TV show that you want to amortize the costs of that, so the more episodes you make, the cheaper they all are individually.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
It is like football with coaches, like, 'We're only going to think about the next game.' It is really true, all you think is, 'Okay, we have to make a good next episode.'
I had been on another procedural show, 'Cold Case,' for seven years, and I certainly respected the legacy of 'Law & Order,' even though I had only seen a handful of episodes. Being a dad meant the reality was that I probably knew more about Dora and Diego. But I saw the show with fresh eyes, and I wasn't coming in with a bunch of baggage.
Because I tend to kind of hide under the sheets when it comes to reality television. I've seen probably one episode of maybe five different shows, and that's about it.
It would be thrilling if I could be boycotted or something. I think that's part of the thrill Madonna gets, when you know you've hit a nerve. But that doesn't scare me. To me what would be a lot scarier would be like appearing on an episode of 'Full House' or something.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
I'd been on 'SVU' before and I'd been on 'Criminal Intent,' but I wasn't a follower. Like, my mom watches every episode, even before I was on it.
As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we'll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we'll be around for a while.
Stage work, that's all I have in my background. Wasteland was my first TV experience. Dawson's was my first long-term, I mean the entire season of 22 episodes.
What's so wonderful about 'The Walking Dead' is that we're able to explore human nature in its most depraved as well as its most humanitarian in each episode.
Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.
I wanted to prove that I could play something else, but there were 249 episodes out there of 'Mayberry,' and it was aired every day. It was hard to escape.
With TV, you just have to finish the days and get the episodes out. And it's always going to be an impossible schedule. That's the funny thing with TV that not a lot of people realize.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
Being a father is like directing Alien or Invasion of the Body Snatchers. It's much more difficult than directing an episode of TV. Also, directing a show or movie lasts a few months at most, parenting lasts for decades.
Star Wars Episode Three (And One Quarter): Revenge Of The Hicks
We shoot double episodes in 15 days in Los Angeles.
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
Every good historian is almost by definition a revisionist. He looks at the accepted view of a particular historic episode or period with a very critical eye.
The difference between directing film and directing television is so stark simply because TV is a living breathing organism already when you direct an episode.
I found myself Tivoing because I was working so much last season [of Heroes], I Tivoed all of the episodes so I could come back and watch them back to back to back and I found myself like I could not put my remote down. I was like, "Just one more episode, please."
That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.
I love Keri Russell. I watched every episode of Felicity, and Waitress is my favorite film from last year. She's just an amazing actress. And I like her voice a lot - it didn't surprise me that she would be doing voiceover work.
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