What they told us about 'Star Trek: The Next Generation' when we first started was that we were guaranteed 26 episodes, so that was the longest job I've ever had. And that was basically it - we didn't know what the premise of the show was going to be and we waited, week by week, to see a script.
The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
Another show I really enjoyed working on was Raising The Bar. I did four or five episodes of that show.
It's very different doing a food show in America and doing one in Britain. I did a 20-part series for the BBC series called 'Eating With the Enemy.' The budget for all 20 episodes was probably the budget for a single episode of 'Top Chef.' It's the difference between making a home movie in your backyard and going to Hollywood.
What I can say that's different in American television… in Britain, they wouldn't cancel something after a couple of episodes. In the States they would. They would just decide it's not working, take it off and put something else in on the fall schedule.
I recurred on Grey’s Anatomy for three years, and at the same time, I recurred for eight episodes on Rescue Me. And I’d recurred for nine episodes on The Practice. Frankly, the guest star is often the most compelling character.
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
I believe Sarah Palin is a true statesman, whose experience as a failed vice presidential candidate, half-term governor and eight-episode reality star has fully prepared her to take control of our nuclear arsenal.
Ill health is an important factor that forces the poor to remain poor. If they make a little bit of money, one episode of illness can wipe them out.
The USDHEW calculates that 7% of all patients suffer compensable injuries while hospitalized .....One out of every five patients admitted to a typical research hospital acquires an iatrogenic (Caused by the treatment process) disease, one case in thirty leading to death. Half of these episodes result from complications of drug therapy; amazingly, one in ten come from diagnostic procedures.
I think that the episodes are like mini horror films really; the characters make bad decisions early on and these things just snowball for them and get worse and worse. And that's what I find funny.
Everyone knew this was the episode that was going to make or break the season.
Regis Philbin's back in primetime, hosting 11 new episodes of 'Who Wants To Be a Millionaire.' But because of Obama's tax plan, it's been re-titled 'Who Wants To Win Just Under $250,000.'
I read every draft of every episode of every series produced at FX.
Theater is a lot more interactive, more of a cohesive unit. With television, it can be a different director every episode.
I really love the karate thing I did on CHIPs. I studied with a trainer because I knew we'd do episodes that had karate.
I had a very old woman come up to me on the subway and tell me that the faces that I made in the first episode when a guy is going down on me, that she still makes those faces when her husband goes down on her.
What an extraordinary episode in the economic progress of man that age was which came to an end in August, 1914!
I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.
When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
The centerpiece of 'Law and Order' is the crime, and it starts with the writing. There's a beginning, a middle and an end. It allows the audience to watch any given episode and can drop right in and not feel lost. I think the stark, raw structure has a lot to do with its longevity.
Most people I run into say, I haven't missed an episode. Either you like Survivor or you don't, but if you do, you're a loyal viewer.
So why are we having to fight in 2012 against politicians who want to end access to birth control? It's like we woke up in a bad episode of 'Mad Men'.
I don't ever want to have a weak episode of television with my name on it.
I still feel driven to try to make great shows and to make each episode great.
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