With every episode of struggle, there is a learning opportunity.
Crime is one of the leads of the show. If there's ever anything that deals with a character's personal life, you don't have to worry about it getting too crazy. People don't have to worry about character arcs. Each episode is a self-contained unit.
People always say The God Father is the #1 movie of all time. But ask yourself, did you see Zach Braff in it....No you didn't. So then by default it goes to Garden State..and if youwatch two episodes of scrubs back to back that counts as the #2.
You can't TV surf without coming across an Andy of Mayberry episode where you've just got to watch Don as Barney. And that's why I put Don in several of my movies.
The good news is that “The Hangover Part III” isn’t a rerun like the second episode. The bad news is everything else. For all the promise of mayhem and WTF moments, the final episode hits you with all the force of a warm can of O’Doul’s.
I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
When I first was on Big Time Rush, the TV show, I did a lot of silly things. Among the first episodes that came out, my buddies wanted to have a viewing party, so we turned it into a drinking game. Every time I did something dumb, we took a shot. We were hammered!
I directed an episode of Touched by an Angel a couple of months ago, and I will be doing more of that. I just like to keep a bit of variety going; it keeps things interesting.
There just isn’t a weak season of 'Breaking Bad.' There’s just superior work, a sprint toward evil that turned into a marathon. But like all big-talker shows that bring their heavy cargo in for a rough and breathlessly observed landing, 'Breaking Bad' didn’t quite leave itself enough runway to satisfactorily end some of its better story lines, especially once the chronology gap closed up between the flash-forwards from last year’s episodes and Sunday night’s conclusion. One could easily argue that there was just too much left to do in this one episode.
Symbols are specific acts or figures, while myths develop and elaborate these symbols into a story which contains characters and several episodes. The myth is thus more inclusive. But both symbol and myth have the same function psychologically; they are man's way of expressing the quintessence of his experience - his way of seeing his life, his self-image and his relations to the world of his fellow men and of nature - in a total figure which at the same moment carries the vital meaning of this experience.
Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.
I mean, every Star Trek episode you saw was just phenomenal.
Sometimes I look back and think, 'Good. I'd love to go in and bang out a good episode of 'Talk Soup' today.'
You can watch any episode you want and have a compelling story being told.
At best, I consider flying an unavoidable necessity, a time to resurrect forgotten prayers and contemplate the end of all joy in a twisted howling heap of machinery; at worst, I rank it right up there with psychotic episodes and torture at the hands of malevolent strangers.
Then, when the Fed's fire hoses started spraying an elephant soup of liquidity injections in every direction, and its balance sheet grew by $1.3 trillion in just thirteen weeks compared to $850 billion during its first ninety-four years, I became convinced that the Fed was flying by the seat of its pants, making it up as it went along. It was evident that its aim was to stop the hissy fit on Wall Streetm and that the thread of a Great Depression 2.0 was just a cover story for a panicked spree of money printing that exceeded any other episode in recorded human history.
I did an episode of The Profiler. I actually worked on the last episode of Murphy Brown.
My dinner spot is usually in front of the TV. I'll grill a steak and whip up a salad and watch 'Hoarders.' I love it because a) I'm kind of voyeuristic, and b) every time I see an episode, I go to the one room where all my unpacked boxes wound up, and I throw out a box of stuff.
I directed an episode of 'Party of Five' toward the very end of that show. It was a great experience.
Doesn't anybody ever want to talk about anything else besides 'Star Trek?' There were 79 episodes of the series; there were 55 different writers. I was only one of them.
My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.
In April 1975 I was born and the Vietnam War ended. I could not let any American die in war before seeing an episode of Scrubs.
Lots of people were giving me flak when I made the deal to do the very last season of Scrubs for $350,000 an episode. When really I'm the one that's being cheated, because the writer's strike is keeping me from all the money that I could be making. I need to eat, too.
I've turned down a lot of proposed scripts for Scrubs episodes, mainly ones with AIDs patients. It sickens me, really. If you don't want AIDs, don't be a ice cream man. Or African. I'm neither and I'm fine.
I absolutely am a big Call of Duty fan. Every time a new Call of Duty comes out – I never play the games online, but I play the solo version super fast. My family knows not to interrupt me the day they come out, they know it's a sacred date for me. I think my favorite visually, of all of the Call of Duty games -- even if it's not as sassy and high tech -- is World at War because. That game has some really incredible episodes in Berlin and the Japanese fields. It's really quite arresting for me, visually, and it was very immersive. But I love Modern Warfare, too.
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