Solitude is unquenched ego.
The simplicity of meditation means just experiencing the ape instinct of ego.
Memory is a dead thing. Memory is not truth and cannot ever be, because truth is always alive, truth is life; memory is persistence of that which is no more. It is living in ghost world, but it contains us, it is our prison. In fact it is us. Memory creates the knot, the complex called the I and the ego
[Having] appropriated to itself all conscious intelligence in the universe ...Man faces the existential crisis of being a solitary and mortal conscious ego thrown into an ultimately meaningless and unknowable universe ...and the psychological and biological crisis of living in a world that has come to be shaped in such a way that it precisely matches his world view-i.e., in a man-made environment that is increasingly mechanistic, atomized, soulless, and self-destructive.
The smaller the mind, the greater the ego.
Ego can’t sleep. It micro-manages. It disempowers. It reduces our capability. It excels in control.
Pathology has made us acquainted with a great number of states in which the boundary lines between the ego and the external world become uncertain or in which they are actually drawn incorrectly. There are cases in which parts of a person's own body, even portions of his own mental life - his perceptions, thoughts and feelings -, appear alien to him and as not belonging to his ego; there are other cases in which he ascribes to the external world things that clearly originate in his own ego and that ought to be acknowledged by it.
But the repressed merges into the id as well, and is merely a part of it. The repressed is only cut off sharply from the ego by the resistances of repression; it can communicate with the ego through the id.
The functional importance of the ego is manifested in the fact that normally control over the approaches to motility devolves upon it. Thus in its relation to the id it is like a man on horse back, who has to hold in check the superior strength of the horse; with this difference, that the rider tries to do so with his own strength while the ego uses borrowed forces.
The ego is first and foremost a bodily ego; it is not merely a surface entity, but is itself the projection of a surface. If we wish to find an anatomical analogy for it we can best identify it with the 'cortical homunculus' of the anatomists, which stands on its head in the cortex, sticks up its heels, faces
When it happens that a person has to give up a sexual object, there quite often ensues an alteration of his ego which can only be described as a setting up of the object inside the ego, as it occurs in melancholia; the exact nature of this substitution is as yet unknown to us.
The pleasure principle long persists, however, as the method of working employed by the sexual instincts, which are so hard to 'educate', and, starting from those instincts, or in the ego itself, it often succeeds in overcoming the reality principle, to the detriment of the organism as a whole.
There is no doubt that the resistance of the conscious and unconscious ego operates under the sway of the pleasure principle: it seeks to avoid the unpleasure which would be produced by the liberation of the repressed.
Winners surround themselves with other winners. A winner knows he's a winner. He doesn't need second-raters and yes-men around to feed his ego. He knows he'll win more, and go further, with associates who not only can keep up with him but who also are capable of teaching him something.
You're gambling with something vital. Most writers get smashed egos.
Melancholia for Freud is the relationship that the subject takes up with respect to itself from the position of what he calls conscience or what he later calls the super-ego. And that can be lacerated - if you think of the anorexic who sees themselves from the perspective of the image they have, of the image they have of themselves in the mirror which is false - that would be the super-ego. Super-ego is what generates depression and it is what has to be dealt with in psychoanalysis.
The thing about humour is that the super-ego is also at play, so what interested me, particularly in the last chapter which is key to the book -and no one seems to have picked this up in writings on Freud - is that, in the later Freud, the essence of humour is the ability to look at myself and find myself ridiculous. That makes me laugh.
Dismantling the ego, quieting the mind, isn't something you can actively undertake to do. It just happens on its own, when you consciously accept the moment you are in, when you don't fight the present reality with thoughts of how you'd like it to be otherwise, or what you're afraid the next moment might bring, when you don't resist with justification or regret or blame of self or other.
I would always drink purple drink - syrup. I would just be in a room, screwing and chopping up music. It was like an alter ego - I would turn into another person when I was on a substance. My music would get darker and weirder, and it inspired a lot of people. But I've changed my life and stopped smoking. I like to turn up and have fun when I get the chance, but I don't overdo it now.
I can come up sometimes with ideas for scenes that I'm not in, to make it better or add something. It's not about me, or my ego, that I wanna show this or that.
Ego is something that everybody, creative especially, has to grapple with. You need enough ego to keep going but not so much ego that you're deaf or blind, that you're making a mistake and can't fix the course.
I'd rather be on this side of the camera. I feel more comfortable. I'd rather keep myself centered and keep my ego as tepid as possible. Because you can get a big head walking around here.
Every time someone asks me who I want to work with, my answer is always the same: whoever wants to work with me that won't want to get their ego stroked.
I'm always afraid, because I do most of my stuff at home, where nobody bothers me, and I don't have to stroke somebody's ego or be careful about hurting someone's feelings. But I also want to know that I can still go into the world and be with other people and make music.
It's important not to be afraid ego-wise to share your information.
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