Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
I believe that science is best left to scientists, that you cannot have managers or directors of science, it's got to be carried out and done by people with ideas, people with concepts, people who feel in their bones that they want to go ahead and develop this, that, or the other concept which occurs to them.
From my studies of genetics and neuroscience I have come to believe that people fall into four broad personality types - each influenced by a different brain chemical: I call them the Explorer, Builder, Director, and Negotiator.
I mean, I understand that Scrubs was my big break, but sooner or later you have to move on. I've already directed a movie, which received very good reviews, so it just seems much more important to me now. I feel that in order to better foster my creativity as an actor and director at this point, I need to be surrounded by other talented, artistic individuals, instead of just goofy comedians.
Cinema is a director's medium, so you're saying, "What do you want?" Being an actor is about adapting - physically and emotionally. If that means you have to look great for it and they can make you look great, then thank you. And if you have to have everything washed away, then I'm willing to do that too.
A good director creates an environment which gives the actor the encouragement to fly.
A story should have a beginning, a middle and an end, but not necessarily in that order.
Be extremely subtle, even to the point of formlessness. Be extremely mysterious, even to the point of soundlessness. Thereby you can be the director of the opponent's fate.
A director shouldn't get in the way of the movie, the story should.
A Director Makes Only One Movie in His Life. Then He Breaks It Into Pieces and Makes It Again.
The profession of film director can and should be such a high and precious one; that no man aspiring to it can disregard any knowledge that will make him a better film director or human being.
I basically put myself into directors' hands and let them tell me what to do, and the more they told me what to do, the more I liked it.
Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique.
The best director is the one you don't see.
In cinema, the leading player is the director.
A film's success or failure is strictly on the director's shoulders.
Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
I'm not interested in being a celebrity; I'm interested in being a better actor and a better director.
When I work, I work very hard. So I look to work with people who have that level of dedication. And I depend on that from everyone. From the director to my crews that I work with.
I am convinced that one should tell one's spiritual director if one has a great desire for Communion, for Our Lord does not come from Heaven every day to stay in a golden ciborium; He comes to find another heaven, the heaven of our soul in which He loves to dwell.
An actor really suffers when the director isn't prepared because you start running out of time for the shoot and then have to do it fast.
As a director, I've been able to combine with what I've learned as an actor and as a producer: it melds quite nicely into what I feel like I should have been doing all along.
We all steal, but if we're smart we steal from great directors. Then, we can call it influence.
A story is the relationship that you develop between who you are, or who you potentially are, and the infinite world.
I don't want to be a director, or to have responsibility for hundreds of people.
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