I buy digital music off of iTunes all the time. I Shazam something in an airport or in a club or something; I Shazam it, I buy it. I am fully digital.
People want everything quick and now. We live in the age of social media and hyper digital. Tweets are published in less than a second, Safari pages load in less than three seconds.
There are photons that have been traveling for 30,000 years, and I'm... snatching them from this journey and planting them into my digital detector. And then I started feeling bad for the photon, and I said maybe it wanted to continue but I got in its way. But then I said, no, those are probably happier photons than the one that slammed into the mountainside that will go unanalyzed and will not contribute to the depth of our understanding of the universe.
You do get scrutinized in the digital age. You know they're zooming in on every pore, which you've got to forget about.
There is incredible potential for digital technology in and beyond the classroom, but it is vital to rethink how learning is organised if we are to reap the rewards.
If I want a small take-everywhere camera, I prefer my iPhone 5, which has colors and tonal range superior to any DSLR or compact digital camera I've ever used at their default settings.
What has happened is that genetics has become a branch of information technology. It is pure information. It's digital information. It's precisely the kind of information that can be translated digit for digit, byte for byte, into any other kind of information and then translated back again. This is a major revolution. I suppose it's probably "the" major revolution in the whole history of our understanding of ourselves. It's something would have boggled the mind of Darwin, and Darwin would have loved it, I'm absolutely sure.
The FBI wants Apple to write software code to help it break into the iPhone. Apple doesn't want to say this. Andrew Crocker, an attorney with the Electronic Frontier Foundation, or EFF, a digital civil rights group, says the government can't make you say what you don't believe. He looks to a Supreme Court case that began in New Hampshire.
I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects. So Peter's known that I've been heading towards directing for a long time. But I always thought my first outing would be a couple of people and a digital camera in the back streets of London somewhere!
I don't like streaming. I hate all that crap. I'd rather be a fan and have the piece in front of you where you could read the liner notes and everything about it instead of just consume. Enjoy it that way. It's just a digital file.
I don't know the technology of digital cameras but apparently the shutter speed is so fast, and so high a resolution, that they are capturing these orbs whenever people are bringing in a lot of angel energy. They just want us to know that they have got our backs, that we're not alone there, that our prayers are heard, and they are helping us.
You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
Being a digital artist enables me to take my signature pieces and place them in a dimensional reality that only really exists within my head. Then I can bring it to life.
I am not against digital at all.
When digital technology started becoming the norm, you've got 50, 60, 70 years of recordings on tapes that are just deteriorating. Like, a two-inch reel of recording tape won't last forever. It dissolves. It will disappear.
A lot of the records you buy, there's nothing you can hold in your hand, it's all 1′s and 0′s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.
For me making a digital photo is like making a watercolor... It's not a painting, and it's not a photo. It's something altogether new.
When we were kids, growing up in the sixties, the only images we had of ourselves were either still photographs or 8mm movies.... Now we have video, digital cameras, MP3s, and a million other ways to document ourselves. But the still photograph continues to hold a sense of mystery and awe to me.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
The digital tools allow us to have control over what and how we can alter an image that was unimaginable in the era of analog photography.
I always found it rather pathetic that as a photographer I would be dependent to such a large extent on sheer luck... So the moment I was offered [digital] tools to bend the shape of the image into my choices, and not those of lady luck, I was hooked.
... while in theory digital technology entails the flawless replication of data, its actual use in contemporary society is characterized by the loss of data, degradation, and noise; the noise which is even stronger than that of traditional photography.
We turn our own lives into an information archive by storing all our emails, SMS, digital photos, and other digital traces of our existence.
There's really no reason film and digital can't happily co-exist and benefit from one another. Anyone who tells you otherwise is just trying to sell you something.
Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems. It's just too complicated - negatives, tinting, flashing - it's a whole new system that takes a lot of time. Of course, it's not as physical. Even the editing. You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.
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