[The Women's Room] is one of those pieces of fiction that reveals itself in a different way every time. It's incredible.
I like the way [Marcus Lemonis] thinks. He's made me think about things in a different way. He's made me want to support small businesses in a very real way, seeing what these small-business owners go through and the struggle it is and the courage it takes to put your heart and money behind things at a 24-hour job. I think I relate to that as an actress and a writer and someone who works freelance, in many ways. It never ends, you never clock out. You've always got to keep things moving.
I don't think that God is a person, a great big person in the sky. I think that God is the essence of life that shapes and forms itself in a thousand different ways, in a million lifetimes, that can be used and focused, and directed and experienced.
I think there are times when human beings open our psychic field: when they're in love, when they're with another person that they resonate with, when they're having a wonderful experience of any kind. We feel the essence of life in a different way that allows us to experience the presence of God as, I would call it, a functioning, physical reality and not just a mental construct or conceptualization.
Lots are written about how 'she shows up at board meetings in the saree.' My God, I have never worn a saree to board meetings; people play it out in different ways. I think I have never shied away from the fact that I am an Indian, and I don't intend to, but you can be at home with both cultures.
Stand alone books are nice because they have everything all in one tidy little package. Neverwhere was awesome because you get action, adventure, character development, the exploration of a strange world, PLUS resolution of all the problems and mysteries at the end. No lines no waiting. That's very satisfying. Multi-volume stories are satisfying too, just in a different way.
Where are the flamboyant characters?! This is what America desperately needs right now! Flamboyant intellectual characters who can cut different ways. And, that's just what I'm missing.
I think that the idea of boundaries is being challenged everywhere. And I think our fascination with sci-fi is that it is a boundary-less world where we can kind of create the reality that we believe to be as opposed to the reality that is. It is about the beyond and the unknown in a different way than pretty much any type of storytelling is.
Books are a really fun way to get yourself in a certain mindset or mood as an actress. Also, the way people tell a story is so revealing and I think it's important as an actress to see all the different ways people can unravel a story, and introduce the characters and the way people speak.
I'm such a huge fan of television and what's happening in television, right now. You are able to visit characters and visit a story, week to week, push things in a different way than you can in a film, and you are able to go deeper, simply because you have more time. I'm just excited to do that. It's always good to do new things.
What happens is that you discover you're carrying so much weight that 90 percent of what you thought yesterday you are thinking about today and will think about again tomorrow. Your mind doesn't change because you are carrying too large a load. So the mind is caught. It's seized by its own structures. It can't consider different ways of thinking or doing or being or relating. It's all you can do with your psychic energy to keep pulling yourself along with this huge bag that you are dragging behind you.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
I love costumes in dance, I think it's very important. The clothes for dancing not only make you feel like somebody else, but it makes you move in a different way.
A question I would like to present to the world is: Where is the love? And what are we doing? Who's making the decisions that are putting us in the predicaments that we are in, with all of these people losing their lives around the world in so many different ways? I feel like a serious revolution needs to take place in order for human beings to evolve in a way where we can truly exist as a society.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
People are all vulnerable in so many different ways. We go into survival mode a lot of times.
I've had to keep exploring different ways of presenting the music so I don't repeat myself.
Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem.
Different men seek after happiness in different ways and by different means, and so make for themselves different modes of life and forms of government.
Yes, all fundamentalists feel that in a secular society, God has been relegated to the margin, to the periphery and they are all in different ways seeking to drag him out of that peripheral position, back to center stage.
I want to express myself in a different way. I have a performing inclination.
I do a job and am lucky enough to do a job that I love, but it is a hard one. I'm not saying it is as hard as working in a coal mine, but it is still difficult in a different way. Sometimes you have to go through very strong emotional journeys and then come back to yourself. And that can be difficult to control.
I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.
People react to criticism in different ways, and my way is definitely to come out fighting.
I can go out raw with nothing, and my fans would still be happy, but I feel that I owe it to them to give them almost like a Broadway musical at this point in my life. I have to give them something more, so I do have to think of different ways to do it.
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