You can't lay down any pattern for God. There are many different ways of bringing people into his Kingdom, even some ways that I specially dislike! I have therefore learned to be cautious in my judgment.
New laws, new kinds of things can emerge as the universe evolves. The more moving parts you have in something, the more possibilities there are. There's a whole new science now of complexity, and what we see is that complexity requires a very different approach than the kind of bottom-up approach that fundamental physics has always used. We're gonna have to think about the world in a different way if we want to address complex systems.
It's rare in a documentary film that you have a repetitive act. So when you do, you can shoot it in different ways so that you have more choices when you're sitting down to edit that sequence six months later.
The world has always been a dangerous place. Now it is dangerous in a different way, because the world order that we've known since the end of the Cold War has been radically transformed. All of the institutions that preserved peace and promoted global trade will be weaker - NATO, the EU, NAFTA - and US relationships with other countries will change, too.
This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.
I find it is happening in different ways to every industry in the world, and positioning yourself for that, and trying to get ahead of that, is a big conversation right now.
Everybody goes through their life in different ways. I definitely am having my journey. It evolves and changes. At some moments, I feel totally off center and trying to find my way back.
Many things inspire me. First and foremost, my family, my husband, and our son. I find that the love we share fills me up and makes me see and appreciate life in a different way.
In some of the Israeli media, but not all, they read about very nasty things done by Israeli settlers and soldiers to Palestinian Arabs. This is a pain in the neck for many Israelis. They say: Leave us alone, what can we do about it? Or they say: Look at Syria, look at Iraq, the West Bank is paradise by comparison. I was one of the first to say, shortly after the Six-Day War, that occupation is corrupting. It corrupts the occupier and, in a different way, it corrupts the occupied.
I don't think Israelis are less critical of corruption than people in Italy, France or America. Israel is special in a different way. There is a daytime Israel and a nighttime Israel. The first is self-confident, pushy and passionate, like other Mediterranean lands. It is hedonistic, materialistic and almost arrogant. During the nighttime, people are terrified, people are filled with existential dreads. These fears aren't baseless.
As an actor, early on, you learn that the audience is never wrong. And if you think they are wrong, you need to find a different way to make a living. Collectively the audience is smarter than you will ever, ever be.
After all, across the population there are slight differences in brain function, and sometimes these translate directly into different ways of experiencing the world. And each individual believes his way is reality.
If you look at our world, we're becoming so much more diverse in every sense of the word. It's not just about culture or identity. It's also about the different ways we communicate.
Human physical structures and intellectual structures are generally studied in different ways. The assumption is that physical structures are genetically inherited and intellectual structures are learned. I think that this assumption is wrong. None of these structures is learned. They all grow; they grow in comparable ways; their ultimate forms are heavily dependent on genetic predispositions.
For us, we are all very different, our languages are very different, and our societies are very different. But if we could extract ourselves from our point of view and sort of look down at human life the way a biologist looks at other organisms, I think we could see it a different way.
I'm not singing anymore; that is why I am so pleased to be writing. My daughter said, "You just found a different way of using your voice."
Always find different ways to accomplish the mission. Then run a counter-analysis and list the advantages and disadvantages. When you have done that, you are ready to make a decision.
I definitely don't have a music industry goal because I've done that and completed that work. My quest is to find new platforms for music to live. Once we do that and find different ways of getting music to people, whether that's 5000 or 1 million people, I'll feel successful. I want to make sure I'm adding something to the marketplace, so that's my goal.
There's something I have about being Canadian - there's a distance it gives you when you live in the States and operate in American culture. You approach familiar things a different way; you come at it from a different angle. It's a trait that runs through a lot Canadian artists' work and actors' work and musicians' - that kind of special remove.
In my own experience, including when I ask for advice, I would ask a collaborator, a friend, I also like to hear the opinion of a woman because they have such wealth. They look at things in a different way.
Some of the large [municipalities] in Quebec can contain within them most of the answers to their own practical problems. And so lots of different possibilities for doing things in a practical and different way become available.
There are a lot of different ways you can be a part of this music and love it and make a contribution that's personal to you.
[When the Gospel seems to be interpreted in different ways] is the obvious challenge, perhaps even danger, here. By its very nature as a custodial office, the papacy can't be a Rorschach test, into which people read whatever they like - whatever they fear or hope for.
I know that it feels dangerous and scary and working without a net, so to speak. And working without a net, for me - maybe other women do it a totally different way - means being vanity-free. That's how, as an artist, I know that I need to work.
[The Women's Room by Marilyn French] was in my house somewhere, blew my mind, I was changed forever. And then I continued to read it at various points in my life, and it sort of opens up in a different way.
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