Reliable and transparent programs are usually not in the interest of the designer.
All language designers are arrogant. Goes with the territory.
I have known that I wanted to be a designer since I was 8 years old.
I'm following my dreams and doing what I love as a designer. I did not want to be one of those kids with a famous last name that doesn't do anything. That is very unfulfilling to me and I'm very happy.
These days all you need is the ability to watch television and hold a potato at the same time to call yourself a designer.
I think as designers we realize design is a signal of intention, but it also has to occur within a world and we have to understand that world in order to imbue our designs with inherent intelligence.
For me I'm a luxury brand trying to prove to people and the industry that it's not about being a TV celebrity in any which way, it's about being a designer and having a business and being successful at that.
I knew the Apple II was great when I bought it, but as I dug into the details it just completely blew me away the creative artistic approach that the designers had taken.
People hide behind the word aesthetic. They say, ‘Well, it’s just that designer’s aesthetic.’ But when you see 18 seasons in a row and not one single model outside a certain skin color…? There are people in the industry who are advocates, who support diversity. And there are people who do not. I don’t get it. Beauty is universal. These doors have to open.
Good designers must always be avant-gardists, always one step ahead of the times. They should – and must – question everything generally thought to be obvious. They must have an intuition for people’s changing attitudes. For the reality in which they live, for their dreams, their desires, their worries, their needs, their living habits. They must also be able to assess realistically the opportunities and bounds of technology.
I am troubled by the devaluing of the word 'design’. I find myself now being somewhat embarrassed to be called a designer. In fact I prefer the German term, Gestalt-Ingenieur. Apple and Vitsoe are relatively lone voices treating the discipline of design seriously in all corners of their businesses. They understand that design is not simply an adjective to place in front of a product’s name to somehow artificially enhance its value. Ever fewer people appear to understand that design is a serious profession; and for our future welfare we need more companies to take that profession seriously.
Graphic designers should be literate in graphic design history. Being able to design well is not always enough. Knowing the roots of design is necessary to avoid reinvention, no less inadvertent plagiarism.
There's no set designer like your own self; you furnish the mise-en-scène, the wardrobe, the physical proportions of the actor, and the setting. Then radio is doing something that television very rarely achieves.
By long-standing tradition, I take this opportunity to savage other designers in the thin disguise of good, clean fun.
I'm an artist, a designer, a craftsman, interior designer, half-architect. There's no one name that fits me very well.
Every time you make the user make a decision they don’t care about, you have failed as a designer.
You come up with a story line, you hire the writer, the director, the stars, the set designer.
People are only concerned about the next party, meeting up for casual sex, finding a job as a Web page designer, or getting a new apartment.
To make sense of this view (design as opposed to accident), one must accept the idea of transcendence: that the Designer exists in a totally different order of reality or being, not restrained within the bounds of the Universe itself.
The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing.
I think of a designer as a processor of information — like a scriptwriter or a novelist.
If the designers of X Windows built cars, there would be no fewer than five steering wheels hidden about the cockpit, none of which followed the same principles – but you’d be able to shift gears with your car stereo. Useful feature that.
Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.
Systematically identity top designers as early as possible. The best are often not the most experienced.
I am happy that thousands of students, young designers and fashion people will be able to see and study my work in every aspect of it.
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