You couldn't find nobody deader, not if you'd sarched for a week. Why, door nails, and Julius Caesar, and things o' that description, would ha' been lively compared with your poor ma when I see her. Lively! that's what they'd ha' been.
To have children is a double living, the earthly fountain of youth, a continual fresh delight, a volcano as well as a fountain, and also a source of weariness beyond description.
If there is a lack of specificity in Grossman's description of the town and the walkers, and if the story perhaps sometimes becomes lost and confusing, then it is because the landscape and its inhabitants are really shadows, creatures of an interior world, whose journey and whose quest are within. Falling Out of Time is short, and clearly a deeply personal book, but its importance and impact ought not to be underestimated.
I have nothing to tell except travellers' stories, which are always tiresome, like the description of a play which was very exciting to those who saw it.
Science is the description of phenomena and the formulation of their relations.
My description of fun would be to sit on someone's couch and watch TV. Regular cable TV. When I'm in a hotel, on-demand is the same. I watch the TV in another language, trying to figure out what they're saying.
Cultivate an ongoing stream of self-description, telling yourself what is happening. Get used to the idea that mind can penetrate the immediate surface of being and reveal the tactile density of it as a manifold whose measure cannot be immediately taken by the eyes, that it's deep, it's connected, it's complex. Everything holds within itself the anticipation and the memory of everything else.
As anthropomorphic and surreal people have said my early writing was, to me it was really stock and almost banal in the sense that it was just description, the poetry of comparing: "Your feet are like A, and your eyes like B."
I start with voice, maybe a sentence. That sentence might embody an image, and I go from there. One sentence to the next. Sound drives the work these days - sound before description.
You could be attached to merely a description of a plant or a flower. Or a narrative of an event. Or rage at injustice. Isaiah and the other Hebrew prophets, in their rage, were being altogether attached - not at all detached, although as I think of the word "detachment," I also think of a sheet of paper, loose from its notebook, fluttering around somewhere in the wind trying to find its home again.
Pedro Teixeira, the great Portuguese merchant-adventurer, wrote a beautiful description of a coffeehouse with windows overlooking the Tigris and the ruins of old Baghdad. That was in 1604, and he's visiting the same street that I write about in the book, named after Abu Nuwas, though it wasn't called that back then.
You write the facts as you see them, and there isn't a lull with a lot of description. No wonder people like to write about murder mysteries and dead bodies!
German can take a lot more pathos than English can. When you say "pathetic" in English it's a disparaging term, but when you say "pathetisch" in German it's just a description, not necessarily negative. That says a lot already.
An operation that eventually kills may be technically successful, and the man may die cured; and so a description of religion thatshowed it to be madness might first show how real and warm it was, so that if it perished, at least it would perish understood.
Writing about sex at length is a bit like describing mastication at length. It's the causes and the consequences and the meaning of it that are interesting, not the anatomical descriptions.
Etgar means "challenge." And my family name is Keret, which means "urban." So my name is "urban challenge." My joke is, it's a good description of a birth but a strange name for a human being.
Since the idea that modification of synaptic function can provide a basis for memory arose shortly after the first anatomical description of the synapse a number of models (Hebb 1949 . . Hayek 1952 . . Kendel 1981) have been proposed in which various cognitive activities are represented by combinations of the firing patterns of individual neurons.
The Book of Revelation is a description of one path to the New Jerusalem, but this scenario is not inevitable.
The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.
This is exactly how the World Wide Web works: the HTML files are the pithy description on the paper tape, and your Web browser is Ronald Reagan.
Literature especially has an interesting relationship to photography - to observation, to description, to fiction: taking something that you see and elaborating, jamming, and I think, staging.... taking that moment of observation and letting it go, giving it some wings, following it, rather than nailing it. You're riffing off of reality.
I think the critical thing is the product or service that you're trying to raise money for. And probably the best description of that, people should say when they hear, "This is what I want to do. This is what I want to bring to the market." They should say, "Gee! That's a great idea" or "Gee! Why hasn't somebody else thought of that before? Well, that's an incredible idea!" In other words, the more a person is delighted, or astonished, or happy with your product, or service, or idea, the more happy they are to put up money for it.
And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.
There are certainly lots of jobs in computer coding, but coding doesn't really require advanced mathematics. And engineering jobs, they vary widely in the amount of demand that we actually need. So, you know, the number of people for whom the job description includes Newton's calculus is not perhaps that high.
Liberals and leftists are not wrong in describing romanticism as reactionary, because it did indeed become that after 1810. The problem is that they make that description true of the movement as a whole, as if romanticism were essentially reactionary.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: