I'm more into describing a scenario and I move around in that scenario.
I think that without sushi there would be no David Hasselhoff, because sushi is like the perfect way of describing the insides of David Hasselhoff. He is like a protein, clean and easy. That's how I feel about myself.
He's a boating enthusiast, although that phrase seems too weak to describe the level of his interest, kind of like describing someone as a heroin fancier.
As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.
The difficulty involved in the proper and adequate means of describing changes in continuous deformable bodies is the method of differential equations. ... They express mathematically the physical concept of contiguous action. Einstein's Theory of Relativity
An author describing the methods of intensive farming, or the excesses of sport hunting, or even the harsher uses of animals in science writes with confidence that most readers will share his sense of concern and indignation. Sounding the call to action-convincing people that change is not only necessary, but actually possible-is more problematic. In protecting animals from cruelty, it is always just one step from the mainstream to the fringe. To condemn the wrong is obvious, to suggest its abolition radical.
I'm like John Wayne. I only play good guys. Describing his cameo role on a TV series.
The critic is actually describing a conscious representation of their interaction with the wine, and therefore the score of rating is a property of that interaction and not the wine itself
From the baking aisle to the post office line to the wrapping paper bin in the attic, women populate every dark corner of Christmas. Who got up at 4 a.m. to put the ham in the oven? A woman. . . . Who sent the Christmas card describing her eighteen-year-old son's incarceration as 'a short break before college?' A woman. Who remembered to include batteries at the bottom of each stocking? A woman. And who gets credit for pulling it all off? Santa.That's right. A man.
The novelist, unlike many of his colleagues, makes up a number of word-masses roughly describing himself (roughly: niceties shallcome later), gives them names and sex, assigns them plausible gestures, and causes them to speak by the use of inverted commas, and perhaps to behave consistently.
If we were magically shrunk and put into someone's brain while she was thinking, we would see all the pumps, pistons, gears and levers working away and we would be able to describe the workings completely, in mechanical terms, thereby completely describing the thought processes of the brain. But that description would not contain any mention of thought! It would contain nothing but descriptions of pumps, pistons, levers!
There was wildlife, untouched, a jungle at the border of the sea, never seen by those who floated on the opaque roof. Describing his early experience, in 1936, when a fellow naval officer, Philippe Tailliez, gave him goggles to see below the Mediterranean Sea surface.
The fact that mathematics does such a good job of describing the Universe is a mystery that we don't understand. And a debt that we will probably never be able to repay.
The future depicted in a good SF story ought to be in fact possible, or at least plausible. That means that the writer should be able to convince the reader (and himself) that the wonders he is describing really can come true... and that gets tricky when you take a good, hard look at the world around you.
In our definitions, we grope after the spiritual by describing it as invisible. The true meaning of spiritual is real; that law which executes itself, which works without means, and which cannot be conceived as not existing.
The modern haematologist, instead of describing in English what he can see, prefers to describe in Greek what he can’t.
A story of remarkable simplicity and charm. A young swimmer invites us into sea off the coast of California where through her eyes we see an entire realm of creatures we have never known so intimately before. Truly for people of all ages, Lynne Cox's adventure with the baby whale, Grayson, becomes a parable and an experience, thanks not only to the author's great and generous spirit, but through her immense gift for describing nature.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
A way of describing performances that I admire is that there is an absence of careerism. It's a clumsy way of describing it but it sort of does it for me.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
There is an aesthetic crisis in writing, which is this: how do we write emotionally of scenes involving computers? How do we make concrete, or at least reconstructable in the minds of our readers, the terrible, true passions that cross telephony lines? Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.
The point of my explanation is I'm very subjective when it comes to describing my characters: they are all a little bit a part of me from the outside in or the inside out - but to put your mind at ease, I built Paul Snider from the outside in.
I have this little neighbor next door. He comes over and tells me about playing Call of Duty, and he's talking about, 'Aw yeah, I slit this guy in the throat and then I stuck a grenade up this guy's ass.' He's describing it in all this detail, and that makes me uncomfortable. I don't think that's good for him.
Writing for children is as easy as describing the history of the Byzantium in three words.
[Describing his house:] It is a library with living rooms attached.
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