A great unification is now taking place between science and spirituality. The most advanced discoveries of modern science are rising to reaffirm the timeless wisdom of the great religious and spiritual traditions of every culture.
There's a sense of humor within the Australian culture that prevails when one is in a rather difficult situation.
To work in America or other places is more about curiosity, because I'm dealing with cultures and sensibilities that I don't really know. So I'm having to sort of investigate them, which I'm fascinated in, but it comes from a place of curiosity rather than a real need to get something out of my system.
Because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
Sure, Malcolm Turnbull is less anti-science and anti-culture than [Tony] Abbott, but low bar, and there's not a lot to show for it beyond rhetoric.
I think there is an American attitude that is very hard to break which is "We're great. Who wouldn't want to be like us? Who wouldn't want to have the benefits of our largesse, handing out aid and having American companies based in their countries?" and "our culture is great," and all that. It's hard for us to imagine ourselves as not being the greatest country on earth.
A lot of us start out nimble. You need to stay that way. You want to have that in your culture. Check to see why things are going wrong and fix them. Understand what's going on in your business so you know if there's a drop somewhere.
The important thing for me is that I try to understand the culture. Everything I thought I knew about the country was either through TV, music, movies or hopping in and out when I did shows. You can't just get the US through being in Miami, LA and New York. Middle America is the place to understand real America.
The propensity to avoid moral considerations was producing not simply a politically illiterate and authoritarian society, but one that was increasingly saturated in violence and a culture of cruelty. Needless to say, all of these forces intensified the increasing militarization and corporatization of higher education, along with the privatizing of everyday life.
What is distinctive about the U.S. is that higher education is under attack not because it is failing but because it is public. It is now considered dangerous because it has the potential to function as a site where a culture of questioning can operate, the imagination can blossom, and difficult questions can be openly debated and critically engaged.
Higher educating is defaulting on its obligations to offer young people a quality and broad-based education. This is true in part because the liberal arts and humanities have fallen out of favor in a culture that equates education with training.
University presidents should be loud and forceful in defending the university as a social good, essential to the democratic culture and economy of a nation. They should be criticizing the prioritizing of funds for military and prison expenditures over funds for higher education. And this argument should be made as a defense of education, as a crucial public good, and it should be taken seriously. But they aren't making these arguments.
We need to educate young people to deal with new modes of education that are emerging with the new electronic technologies and we need to educate them to not only learn how to critically read this ubiquitous screen culture but also how to be cultural producers.
We must continue to show tolerance for those whose opinions and sincerely held beliefs differ from our own. We must lead by example, finding a way to respect one another and to celebrate a culture that protects religious freedom while promoting equality under the law.
I was raised inside the gang culture.
Recovery culture teaches you that you have to repent. I don't think that's necessary.
Growing up in Jersey City was interesting. I got to learn a lot about different cultures: I had Hindu friends, Middle Eastern friends, black friends, Spanish friends.
My art history papers were really politics. They were about the manifestation of culture through the eye of political events. So there was always that refusal to settle in one place, or one discipline or medium.
From day one, my idea was always to use the gallery as this animated place to discover culture in a much bigger way.
Trans stories have now entered the mainstream in this fantastic way, but the most important thing is what follows from that is hopefully a shift in the experience of trans people - so that there's more acceptance in the culture to the issues they face and more support.
I think Islam, for me, helped me see how similar we all are. If my views are not traditional it's because of being raised in American society. Things that are taboo in an Islamic society are magnified in this society: drinking, extramarital affairs, all kinds of stuff like that. I have to apply the human aspect of all our culture dictates . . .
We get off track. Capitalism takes us off track. You get off the "real" and get on the "wheel." The "wheel" becomes the winning and losing, the succeeding and failing, the "I will achieve." All that stuff becomes so preoccupying, particularly if you're born with low self-esteem, or no sense of yourself, or even if you're just born in the consumer culture. It's very powerful.
What I would say to young women is: Pay attention to the real. Pay attention to what you're really thirsting for. What do you really want? And I think that's much harder to decipher in a culture that has no interest in it. What interests me is, are we going to wake in time? Are human beings going to wake up to ourselves, to the incredible poverty that's on this planet, to what we're doing to the earth, to what we're doing to women, to what we're doing to boys? That's what's important.
Houston is kind of a melting pot. There are many different cultures and ethnicities represented out there.
Music is in every country and every culture around the world. It's universal.
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