The roots of Cuban music are in my head.
Ry Cooder for me is a master, a great master that has a wonderful feel for Cuban music. He's also paid tribute my talent a bit, even though I don't know half of what he knows.
Music is so essential to the Cuban character that you can't disentangle it from the history of the nation. the history of Cuban music is one of cultural collisions, of voluntary and forced migrations, of religions and revolutions.
I listen to and I play all kinds of music, and I'm interested in jazz and in bluegrass - I like it all - but Cuban music speaks to me in a certain way.
One often reads that the 1950s was the golden age of Cuban music, but it was really one long phase, from 1937 to 1958, each year with its own splendour.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.
Danzon is my favorite Cuban music, played by a traditional string orchestra with flute and piano. It's very formally structured but romantic music, which derives from the French-Haitian contradance.
It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music.
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