In a moment of grace, we can grasp eternity in the palm of our hand. This is the gift given to creative individuals who can identify with the mysteries of life through art.
When you make music or write or create, it's really your job to have mind-blowing, irresponsible, condomless sex with whatever idea it is you're writing about at the time.
Everyone is born creative; everyone is given a box of crayons in kindergarten. Then when you hit puberty they take the crayons away and replace them with dry, uninspiring books on algebra, history, etc. Being suddenly hit years later with the 'creative bug' is just a wee voice telling you, 'I'd like my crayons back, please.
It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.
The school was prone to dishing out punishments for anything creative that didn't fit with expectation - I just followed the logic and figured the folk club was probably much the same.
The best of humanity's recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance.
I grew up in the '60s, which was a creative time, so it wasn't that big of a stretch to go from a baseball bat to a guitar to a film camera.
Today more than ever we need creative minds to address the issues of the age. And one of the most urgent is this: How can humanity know so much, achieve so much, and still fail so many people so badly?
But the business side of it, as with most creative things, there is no room for business. It is about art. It's not about marketing.
Love is always creative, fear always destructive.
Your mood doesn't really matter. Some of the best creative work gets done on the days when you feel that everything you're doing is just plain junk.
Is not the tremendous strength in men of the impulse to creative work in every field precisely due to their feeling of playing a relatively small part in the creation of living beings, which constantly impels them to an overcompensation in achievement?
Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train, people that don’t exist, places you’ve never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader’s creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive.
Now one does not think during creative work: any more than one thinks when driving a car. One has a background of years — learning — unlearning— success — failure — dreaming — thinking — experience — back it goes — farther back than one's ancestors: all this, — then the moment of creation, the focussing of all into the moment. So I can make — "without thought" — fifteen carefully-considered negatives one every fifteen minutes, — given material with as many possibilities.
Knowing About Victoria Woodhull inspires women to be daring, outrageous and creative.
I never consciously place symbolism in my writing. That would be a self-conscious exercise and self-consciousness is defeating to any creative act. Better to get the subconscious to do the work for you, and get out of the way. The best symbolism is always unsuspected and natural. During a lifetime, one saves up information which collects itself around centers in the mind; these automatically become symbols on a subliminal level and need only be summoned in the heat of writing.
I had a creative hot streak in the 1940s and since then I’ve been pot boiling.
I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.
The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .
I am a creative artist. I have the ability to radiate. Lifting my arms above me, I soar above the earth. Lowering my arms, I continue to soar. In the air moving around my head and shoulders, I experience the power of thoughts. In the air moving around my chest, I experience the power of feelings. In the air moving around my legs and feet, I experience the power of will. I am that
Yeah, after making Pablo Honey, we started experimenting with cloning myself in order to double the band's creative energy. However, the experiment was a failure, and the defective Thom Yorke clone escaped. And formed a band called Muse.
Being creative is not so much the desire to do something as the listening to that which wants to be done: the dictation of the materials.
On the chessboard, lies and hypocrisy do not survive long. The creative combination lays bare the presumption of a lie; the merciless fact, culminating in the checkmate, contradicts the hypocrite.
Encourage kids to be creative without worrying about being perfect.
Clinton was a president who used his office, in creative ways, to try to reinvigorate the federal government to benefit the majority.
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