Everything that I have told you is, of course, a fairy tale. Life is magical, after all. Nothing is safe and everything changes.
The violence in the Executioner books is merely stage-dressing for dramatizing the commitment and dedication Bolan has to his ideals and the lengths to which he will go to honor them. We can learn this message of love and commitment and carry it into our own lives without the violence and bloodshed, and of course it is this wish that fuels the writing. I do not want my readers to pick up a gun and follow Bolan's example; I want them to be stirred by his commitment and to find ways to meet the same challenges without resort to violent means.
But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight — matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows.
I must only warn you of one thing. You have become a different person in the course of these years. For this is what the art of archery means: a profound and far-reaching contest of the archer with himself. Perhaps you have hardly noticed it yet, but you will feel it very strongly when you meet your friends and acquaintances again in your own country: things will no longer harmonize as before. You will see with other eyes and measure with other measures. It has happened to me too, and it happens to all who are touched by the spirit of this art.
I discovered John Truby ten years ago when a friend told me about his screenwriting course. I studied Truby's principles for a year and -- using them -- I wrote the first draft of The Thieves of Ostia in two weeks. I go back to his teachings before each new book I write. Each time I study Truby, I learn something new.
Since the date, 1776, is placed on the bottom course of the pyramid [on the Great Seal], and since the number 13 has been so important in the history of the United States and in the symbols of the seal, it is not unreasonable to suppose that the thirteen courses of the pyramid may represent thirteen time-periods of thirteen years each.
That's how they manage to live together, a billion of them, in reasonable peace. They are not perfect, of course. They know how to fight and lie and cheat each other, and all the things that all of us do. But more than any other people in the world, the Indians know how to love one another.
Of course I wanted to know. I was a writer. I wanted to know everything.
I was fifteen then, too young to fall in-love. Or maybe it is only then, with dew of childhood still in my eyes, that I was capable of such love. I will never know, of course.
I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.
It is not enough to say, 'We are Muslims and have an ideology or our own': we must also be in a position to show that our ideology is vital enough to withstand the pressure of the changing times, and to decided in what way the fact of our being Muslims will affect the course of our lives: in other words, we must find out whether Islam can offer us precise directives for the formation of our society, and whether its inspiration is strong enough in us to translate these directives into practice.
He's a complete fighter. He has some flaws, of course, but he has a good stand up game, good takedowns and a good ground game. He's a complete fighter, and that makes him dangerous. He hits hard, but I believe I can stop him. I believe I can finish this fight earlier. I'm not underestimating him, but I've learned a lot in my past fights. I have learned a lot in my fight against (Chris) Weidman, so it's likely that I will finish this fight before the fifth round. Whatever it takes. I'm training hard on my grappling skills and my striking, so I want to finish him with a knockout or a submission.
I have been & continue to be so incredibly humbled & overwhelmed by all the love and support that has come from the #LostGirl fandomI want to personally thank each & everyone of you for all the love you've shown me (&Tamsin) from day one. This has been such a beautifuljourney. I consider myself blessed to have been a part of this show, to have loved it's people & of course to have shared in that with you!
Now, I had been drawing all this time - especially in France of course - so, when I came back, my father gave me the chance to do a cover for one of the books he published.
I'm not a party animal; I took my job as Miss USA very seriously Sometimes, of course, I want to let it all go. Even though I'm a beauty queen, you're also an unofficial ambassador, and there's a lot of pressure.
It would be a mistake, though, to consider care by family doctors or midwives inferior to that offered by obstetricians simply on the grounds that obstetricians need not refer care to a family physician or midwife if no complications develop during a course of labor.
You can’t bake a cake without getting the kitchen messy. Halfway through surgery it looks like there’s been a murder in the operating room. If you send a rocket to the moon, about ninety percent of the time it’s off course—it ‘fails’ its way to the moon by continually making mistakes and correcting them.
There are six mental faculties that we have, and how we use them sets the course for our life.
In that inevitable, excruciatingly human moment, we are offered a powerful choice. This choice is perhaps one of the most vitally important choices we will ever make, and it determines the course of our lives from that moment forward. The choice is this: Will we interpret this loss as so unjust, unfair, and devastating that we feel punished, angry, forever and fatally wounded-- or, as our heart, torn apart, bleeds its anguish of sheer, wordless grief, will we somehow feel this loss as an opportunity to become more tender, more open, more passionately alive, more grateful for what remains?
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
I was driving home the other night, listening to the radio, and the guy filling in for Art Bell on Coast to Coast AM was talking to some other guy about Nazis, UFOs, the Kennedy Assassination, time travel, and George Bush, and how it all relates to OneWorldGovernment. This, of course, made me think about barbell training.
There is never an absolute answer to everything, except of course that you have to do your squats.
In each life there comes at least one moment, which, if recognized and seized, transforms the course of that life forever. Rely, therefore, on radical trust, even though the moment may call for you to leap empty-handed into the void.
Does the engineer ever predict the acceleration of a given body from a knowledge of its mass and of the forces acting upon it? Of course. Does the chemist ever measure the mass of an atom by measuring its acceleration in a given field of force? Yes. Does the physicist ever determine the strength of a field by measuring the acceleration of a known mass in that field? Certainly. Why then, should any one of these roles be singled out as the role of Newton's second law of motion? The fact is that it has a variety of roles.
The trick, of course, is to lose one day and come back to win the next. But that is possible only when we draw healthy pleasure and confidence from our creative processes.
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