Have sufficient food, clothing, and fuel on hand to last at least one year.
Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.
There'd never been a clothing line made by a young woman like me: a multiethnic woman who has one foot in Gucci and one foot in the ghetto.
I am basically a blazer. If I were a clothing item, I would be a legging and a blazer.
I hate drama. But at the same time, nothing bothers me more than when life's perfect. And that's the sick part. I just love a challenge, whether it's a relationship, my career, clothing.
My relationship with brick-and-mortar shopping is, in general, unpleasant. I can't remember a time in my life when I could go to a physical store and find a variety of things in my size that excited me and fit my personal style. As a plus-size shopper at a typical mall, you're limited to at most five stores out of maybe 50 clothing retailers. That leaves us with very few options and, for people on a tight budget, pretty much no chance of comparison shopping. You take what you can get.
So when the wolf pounces on your lamb, just ignore the pitiful bleating and remind yourself that this is a democracy, where every sheep can freely express its preference for which kind of wolf it wants to be eaten by. Many sheep, perhaps understandably, prefer a wolf in sheep's clothing, which is after all the basic idea of democracy. So far it has worked pretty well. The wolves all agree on that, and they want to spread democracy everywhere.
My success was also owed to career women who maybe had big legs or ample thighs, who felt well-protected by my fluid clothing that hid their flaws.
I was very preppy in my childhood. I also went through an anti-clothing moment where I just wanted to wear sweats because I'd just moved to Canada. My mom was always trying to get me into proper clothes, but I never wanted to wear them, and now that's all I wear.
Alike and ever alike, we are on all continents in the need of love, food, clothing, work, speech, worship, sleep, games, dancing, fun. From tropics to arctics humanity live with these needs so alike, so inexorably alike.
Books were always important. I have to thank my father, he filled my life with books. He didn't write but he always read. He was a merchant, he filled the store with cigarette smoke and his friends, all talking about books and politics. It was bad for business. He dealt in women's clothing.
I will never forget the moment when Peter van Pels and I saw a group of selected men. Among those men was Peter's father. The men were marched away. Two hours later, a lorry came by, loaded with their clothing.
Clothing, right from our first direct evidence twenty thousand years ago, has been the handiest solution to conveying social messages visually, silently, continuously.
Government welfare programs contribute to the disintegration of poor families. They make women and children dependent on government; dependent for food, for clothing, for shelter; and reward fatherless families with extra benefits and welfare perks.
The climate of Ohio is perfect, considered as the home of an ideal republican people. Climate has much to do with national character.... A climate which permits labor out-of-doors every month in the year and which requires industry to secure comfort--to provide food, shelter, clothing, fuel, etc.--is the very climate which secures the highest civilization.
Men's clothing hasn't changed in 200 years, maybe a lapel gets a little wider or a tie gets narrower from time to time. But it's usually always the same. There is stupidity in men's fashion. But women know who they are. They can change. Clothing is seductive for women. They get different personas by buying new clothes. But men don't.
It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that kind of thing. Part of the fun of making a period film is just that playfulness. It's just like make believe when you're a child except you get to do it for a real job.
There's nothing like a string of Xmas lights inside the house to make the whole family feel like they live in a vintage clothing store.
Dollywood is a family park, and all families are welcome. We do have a policy about profanity or controversial messages on clothing or signs. It is to protect the individual wearing or carrying them, as well as to keep down fights or problems by those opposed to it at the park.
I love movies like '500 Days of Summer' and 'Juno.' Something offbeat without the glamour and the makeup and the clothing.
I think ultimately I make people happy: Whether I'm doing the stage show, giving somebody a makeover, or designing clothing, the end goal is to make people smile.
The Age of Average gave us a lot. Take clothing: We've all benefited remarkably from large, medium and small sizes making things affordable and available, but when it really counts - the wedding gown and the pressurized fighter pilot suit - it's bespoke all the way.
When I was writing my first draft, and feeling grandiose, I e-mailed an artist/clothing designer I know and suggested we collaborate on a fashion line inspired by the outfits my characters wore. I regret that we never did that.
Ninety percent of the time, I'm wearing imaginary people's clothing. I don't feel a huge pressure to go out and like, hit the town, hit the boutiques.
The biggest thing politically within fashion is that the clothing should be displayed on different body shapes.
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