'Close Encounters of the Third Kind' is the best movie for a guy like me. A cerebral adventure. A moving story. A bunch of little green men.
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.
A crisis is a close encounter of the third kind.
I loved being in Close Encounters, just to watch Steven Spielberg working was exciting.
Star Wars is adolescent nonsense; Close Encounters is obscurist drivel; ‘Star Trek’ can turn your brains into puree of bat guano; and the greatest science fiction series of all time is Doctor Who! And I'll take you all on, one-by-one or all in a bunch to back it up!
Close encounters are bad. Bad for the animal, as it causes stress, and bad for me for exactly the same reason.
No movie can be a downer that fills you with pure exhilaration. You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.
I am a geek in terms of, I love 'Close Encounters' and I love 'Star Wars,' but other things... 'Doctor Who,' I don't really care about at all, I couldn't give a fig about it.
That's the harm of Close Encounters: that it convinces tens of millions that that's what just science fiction is.
I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
I'm not encouraged by the silence. I can think of no benign reason for it. I'm afraid we may expect something closer to Christopher Columbus's arrival in the Americas than a scene from Close Encounters, and we all know how that turned out for the Native Americans.
When one is young, aspiring to play for the country, doing well, any hindrance, like injury or being out of form, can be frustrating and a cause of annoyance or even anger. But once you have a close encounter with death, you realise the real value of life.
I've kept the people who've been in my career who I feel are my family. Kathy [Kennedy] had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
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