I'm sure there are a few things in my CD collection that might surprise people. I like classical music, the blues, and I'm a big fan of alternative rock.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
When I was very young, I played in a punk-rock band, but I also studied music theory and classical music.
I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.
I like to listen to classical music... I like mainline jazz.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
As a rule, my focus is on classical music, but I love jazz. I love everything, actually.
I'm very flower-like. I love classical music. I go to ballet and I cry. There's nothing so beautiful.
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
Everybody loves classical music they just don't know about it yet.
Jazz isn't dead yet. It's the underpinning of everything in this country. Whether it's a Broadway show, or fusion, or right on through classical music, if it's coming out of the U.S., it's not going to survive unless it's got some jazz influence.
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
I have never heard enough classical music to be able to enjoy it; & the simple truth is, I detest it. Not mildly, but will all my heart. To me an opera is the very climax & cap-stone of the absurd, the fantastic the unjustifiable. I hate the very name of opera - partly because of the nights of suffering I have endured in its presence, & partly because I want to love it and can't.
I have a piano in my living room that I mess around on a little bit and when I asked Len if I could find a piece of music, I went through a **** load of classical music to find something that I felt had a certain urgency to it, but also with a hint of melancholia and maybe a sense of longing. I found that which is public domain and I had a piano teacher to go through it with me.
I listen mostly to classical music.
I think it's time they knew the truth about Beethoven.
Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.
I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad.
I look at raising funds for The Perlman Music Program as a challenge and as a way to provide opportunities for people who care about the future of classical music.
Classical music in Venezuela is now something like a pop concert. You can see people screaming or crying because they don't have a ticket.
Most of the music I've become interested in is hybrid in its originsClassical music, of course, is unbelievably hybrid. Jazz is an obvious amalgam. Bluegrass comes from eighteenth-century Scottish and Irish folk music that made contact with the blues. By exploring music, you're exploring everything.
I love listening to classical music.
I got involved with classical music when I was in high school and it's followed me throughout my entire life and probably had a profound effect on my life.
One of the problems that we face through the media attention that these artists receive is that there has been an awful lot of talk about opera and classical music being elite and being for an elitist group.
But those musics do not address the larger kind of architecture in time that classical music does, whatever each one of us knows that classical music must mean.
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