The Chinese are generally speaking much more reluctant than Westerners to killing as a means to the rescue of lives.
I have been brought up in a culture where capital punishment is indeed anathema. I have always thought of myself as a principled opponent to capital punishment. However, when thinking about how the topic is handled in other cultures, in particular the American, Russian and Chinese ones, I have realised that my own tack on the issue was utterly superficial.
First of all, we're not Rust Belt. I mean, that's an old term. We do have manufacturing. We have a half-a-billion-dollar investment from a Chinese individual, which brings a couple thousand jobs in Dayton.
The Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
The way even movements change is stunning: Chinese communist capitalists? Evangelicals deciding to be nice to gay people?
I was in a fascinating meeting where one man had been in China recently. A Chinese professor has found evidence that Christians reached Western China before 90 AD. Before 90 AD! The idea isn't all that astonishing when we think about it. That's what the disciples thought they were supposed to do! And, I'm sure, the disciples just said, "That's it. Let's go!" And they all wound up dead. But everyone else did too!
I am because the Chinese have agreed - entered into this agreement in 1997. It sets out the circumstances in which the release of a prisoner who is the subject of a transfer may occur in exceptional circumstances. So the Chinese, having agreed to those principles, I'm sure have no objection to them being applied in this particular case.
I don't see why we and the Chinese should have to be enemies.
Over the longer term, China will grow by about 6% or 7% per year. The Chinese authorities usually react pretty quickly to unfolding economic events, and you've seen them recently change a whole bunch of policies to be more conducive to growth. They have the power and capability to macromanage the economy - to accomplish their growth objectives - which means they're pretty much going to come close to what they say is going to happen.
I listened to Hillary [Clinton], and I heard the double talk. She's so good at it, and I'm not making this up, that the Communist Chinese have sent their cadres to study her speeches. They say she's the finest propagandist they've ever heard.
That's a KORTAN DAHUK. That's the first alien we see in the film [Valerian]. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
Viewing that complex relationship one-sidedly from the aspect of manufacturing and the impact of Chinese imports on the United States makes sense from the point of view of the Rust Belt of the United States. It may even make sense as a political strategy for a candidate running for office.
It's very strange, for example, in North Korea where the volcano at the Chinese border is some sort of the mythical birthplace of the Korean people.
If Apple is enslaving Chinese to make its iPhones, you don't need to eat the i-Phone, you need to make sure that Apple is paying a living wage to someone, and then it adds a dollar to the cost of iphones, and everybody's cool.
Good relations with Russia are great news. Putting a stop to the [Transatlantic Trade and Investment Partnership] is great news. Defending American industry against the invasion of Chinese products. Renegotiating the role of NATO. And a similar approach on the issue of immigration. This is all great news.
All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.
Because Chinese art is booming, it legitimizes this profession.
I lived there [ in New York City] as an artist, but never as a Chinese artist.
Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
Of course, people will call you an old artist or young artist, which is just a character of you. But personally, I don't think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it's beyond my own consciousness.
I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.
Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
The Chinese in this country aren't asking for integration.
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