Unless someone like you cares a whole awful lot, nothing is going to get better. It's not.
A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.
a good deal of childhood is strong stuff for adults and totally unsuitable for children.
Most of the great works of juvenile literature are subversive in one way or another: they express ideas and emotions not generally approved of or even recognized at the time; they make fun of honored figures and piously held beliefs; and they view social pretenses with clear-eyed directness, remarking - as in Andersen's famous tale - that the emperor has no clothes.
Don’t just teach your children to read… Teach them to question what they read. Teach them to question everything.
Children’s literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world.
I don't think I'm essentially interested in children's books. I'm interested in writing, and in pictures. I'm interested in people and in children because they are people.
If I have something I want to say that is too difficult for adults to swallow, then I will write it in a book for children.
To write for children at all is an act of faith.
A children's writer should, ideally, be a dedicated semi-lunatic, a kind of poet with a marvelous idea, who, preferably, when not committing the marvellous idea to paper, does something else of a quite different kind, so as to acquire new and rich experience.
Science Fiction is a branch of children's literature.
What I use from my own life is not the facts, it's the emotion. It's how I felt about something. It has nothing to do with facts at all. You can get those anywhere. It's the feelings of childhood that you need to know.
Children's books are looked on as a sideline of literature. A special smile. They are usually thought to be associated with women. I was determined not to have this label of sentimentality put on me so I signed by my intials, hoping people wouldn't bother to wonder if the books were written by a man, woman or kangaroo.
Only as we give the children the truth about life can we expect any improvement in it.
Humor is the oxygen of children's literature. There's a lot of competition for children's time, but even kids who hate to read want to read a funny book.
When people ask me what qualifies me to be a writer for children, I say I was once a child. But I was not only a child, I was, better still, a weird little kid, and though I would never choose to give my own children this particular preparation for life, there are few things, apparently, more helpful to a writer than having once been a weird little kid.
More than this, I believe that the only lastingly important form of writing is writing for children. It is writing that is carried in the reader's heart for a lifetime; it is writing that speaks to the future.
Children's reading and children's thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth.
A childhood without books – that would be no childhood. That would be like being shut out from the enchanted place where you can go and find the rarest kind of joy.
By providing cheap and wholesome reading for the young, we have partly succeeded in driving from the field that which was positively bad; yet nothing is easier than to overdo a reformation, and, through the characteristic indulgence of American parents, children are drugged with a literature whose chief merit is its harmlessness.
A child... who has learned from fairy stories to believe that what at first seemed a repulsive, threatening figure can magically change into a most helpful friend is ready to believe that a strange child whom he meets and fears may also be changed from a menace into a desirable companion.
I loved The Wind in the Willows. ... Walt Disney should be sued for cheapening it as he did. Imagine it, Mickey Mousing all those nice characters. I'm surprised he didn't do it with the New Testament.
The only books that work are those which fly through the air - the ones you let happen, not make happen.
I cannot, will not, withhold from my young readers the harsh realities of human hunger and suffering and loss, but neither will I neglect to plant that stubborn seed of hope that has enabled our race to outlast wars and famines and the destruction of death.
Books that children read but once are of scant service to them; those that have really helped to warm our imaginations and to train our faculties are the few old friends we know so well that they have become a portion of our thinking selves.
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