Celia Quotes

• Celia." he says without looking up at her, "why do we wind our watch?" "Because everything requires energy," she recites obediently, eyes still focused on her hand. "We must put effort and energy into anything we wish to change.

  Erin Morgenstern

  Eye, Hands, Wind

  Erin Morgenstern (2016). “The Night Circus”, p.22, Random House

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• You can call it innocence, or you can call it gullibility, but Celia made the most common mistake of the good-hearted: she assumed that everyone else was just like her.

  Lionel Shriver

  Mistake, Like Her, Innocence

  Lionel Shriver (2010). “We Need To Talk About Kevin”, p.273, Profile Books

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• Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.

  Erin Morgenstern

  Apology, Silence, Leaving

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• Esse quam videri," Celia says. "To be, rather than to seem.

  Erin Morgenstern

  Seems

  Erin Morgenstern (2016). “The Night Circus”, p.266, Random House

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• Which tent is your favourite?" he asks. "The Ice Garden," Celia answers, without even pausing to consider. "Why is that?" Marco asks. "Because of the way it feels," she says. "It's like walking into a dream. As though it is someplace else entirely and not simply another tent.

  Erin Morgenstern

  Dream, Garden, Ice

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• Celia, wait,” Marco says, standing but not moving closer to her. “You are breaking my heart. You told me once that I reminded you of your father. That you never wanted to suffer the way your mother did for him, but you are doing exactly that to me. You keep leaving me. You leave me longing for you again and again when I would give anything for you to stay, and it is killing me.” “It has to kill one of us,” Celia says quietly.

  Erin Morgenstern

  Mother, Father, Moving

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• Do you remember all of your audiences?" Marco asks. "Not all of them," Celia says. "But I remember the people who look at me the way you do." "What way might that be?" "As though they cannot decide if they are afraid of me or they want to kiss me." " I am not afraid of you," Marco says.

  Erin Morgenstern

  Kissing, People, Want

  Erin Morgenstern (2016). “The Night Circus”, p.214, Random House

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• Marco knows he does not have the time to push her away, so he pulls her close, burying his face in her hair, his bowler hat torn from his head by the wind...."Trust me," Celia whispers in his ear, and he stops fighting it, forgetting everything but her.

  Erin Morgenstern

  Fighting, Hair, Wind

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• So proper for a circus girl," Mme. Padva says with with a gleam in her eye. "We shall have to loosen those corset laces if we intend to keep you an intimate dinner company." "I expected the corset unlacing would take place after dinner," Celia says mildly, earning a chorus of laughter. "We shall keep Miss Bowen as intimate company regardless of the state of her corset," Chandresh says. "Make a note of that," he adds, waving a hand at Marco. "Miss Bowen's corset is duly noted, sir," Marco replies, and the laghter bubbles over the table again.

  Erin Morgenstern

  Girl, Laughter, Eye

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• Why haven’t you asked me how I do my tricks?” Celia asks, once they have reached the point where she is certain he is not simply being polite about the matter. “Because I do not wish to know,” he says. “I prefer to remain unenlightened, to better remain in the dark.

  Erin Morgenstern

  Dark, Wish, Matter

  Erin Morgenstern (2016). “The Night Circus”, p.187, Random House

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• Come, my Celia, let us prove, While we can, the sports of love, Time will not be ours for ever, He, at length, our good will sever; Spend not then his gifts in vain: Suns that set may rise again; But if once we lose this light, 'Tis with us perpetual night. Why should we defer our joys? Fame and rumour are but toys.

  Ben Jonson

  Love, Sports, Time

  'Volpone' (1605) act 3, sc. 5.

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• Celia laughs and a curl of her hair falls across her cheek. Marco tentatively moves to brush it off her face, but before his fingers reach her, she pushes herself off the ledge, her silver gown a billowing cloud as she falls onto the pile of jewel-toned cushions.

  Erin Morgenstern

  Moving, Fall, Clouds

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• Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.

  Lily Collins

  Wise, Sexy, Fashion

  "Lily Collins on Her Glamorous New Look for 'The Last Tycoon'". Interview with Olivia Fleming, www.harpersbazaar.com. June 30, 2016.

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• He spends the majority of the evening in the company of Celia Bowen, whose elaborate gown changes color, shifting through a rainbow of hues to compliment whoever she is closest to.

  Erin Morgenstern

  Color, Rainbow, Majority

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• Why did Mama say that? Had Papa made her angry again? He made her angry a lot. Gran said it was on account of his "hores." One time Celia asked Nurse what a hore was, and Nurse paddled her and told her that was a bad word. Then why did Papa have them?

  Sabrina Jeffries

  Nurse, Papa, Mama

  Sabrina Jeffries (2012). “A Lady Never Surrenders”, p.2, Simon and Schuster

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• Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!

  Lily Collins

  Character, Shoes, Creating

  Source: www.harpersbazaar.com

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• I'm so moved to hear Celia Johnson again, so lovely.

  Maggie Smith

  Lovely, Johnson, Moved

  "Maggie Smith On The Pressures Of Acting: 'You Want So Much To Get It Right'". "Fresh Air" with Dave Davies, www.npr.org. February 23, 2016.

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• Here comes Monseiur Le Beau. Rosalind: With his mouth full of news. Celia: Which he will put on us, as pigeons feed their young. Rosalind: Then shall we be news-crammed. Celia: All the better; we shall be the more marketable.

  William Shakespeare

  Pigeons, News, Mouths

  William Shakespeare (2014). “Arden Shakespeare Complete Works”, p.165, Bloomsbury Publishing

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• Miss Celia stares down into the pot like she's looking for her future. "Are you happy, Minny?" "Why you ask me funny questions like that?" "But are you?" "Course I's happy. You happy too. Big house, big yard, husband looking after you." I frown at Miss Celia and I make sure she can see it. Because ain't that white people for you, wondering if they are happy ENOUGH.

  Kathryn Stockett

  Husband, White, People

  Kathryn Stockett (2009). “The Help”, p.49, Penguin

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• A little extra forgiveness never hurts," said Matt, quoting one of Celia's favorite sayings.

  Nancy Farmer

  Hurt, Littles, Said

  Nancy Farmer (2002). “The House of the Scorpion”, p.165, Simon and Schuster

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• How are you managing to keep everyone from aging?” Celia asks after a while. “Very carefully,” Marco answers.

  Erin Morgenstern

  Answers, Aging, Marcos

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• At one O'Clock, Miss Celia comes in the kitchen and says she's ready for her first cooking lesson. She settles on a stool. She's wearing a tight red sweater and a red skirt and enough makeup to scare a hooker.

  Kathryn Stockett

  Makeup, Sweaters, Missing

  Kathryn Stockett (2009). “The Help”, p.52, Penguin

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