If you're not messing up every now and then at practice, you're not doing anything above your ability to progress.
As a young kid I was in love with breakdancing. I practiced the uprock style, which is a battle style of dance that looks like fighting. It comes from the gangs in New York in the 1960s and '70s. It's beautiful, almost like a martial art, and it can be funny, too, because you make fun of each other.
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
If there's anything Breaking 2: Electric Boogaloo has taught me, it's that breakdancing is the key to financial solvency.
My breakdancing crew used to go to the mall and squat a piece of cardboard there; we had our jam box, and I'd spin on my head and make about forty bucks a day, which was pretty good back then. I was only 14 years old, so I would chase the girls around the mall and eat some pizza and have some change left over.
Hip-hop used to be about battles, beatboxing and breakdancing. All they get exposed to now is the negative stuff.
I remember going for the first time to a place called The Roxy in New York because you can see people breakdancing there. That's the only reason I went! It's amazing, kids are still doing that.
I think English people were a lot better at breakdancing than they were at making records.
The 1980s were such a shock for me. I was really young, obviously, and The Slits were just mutilated. We were totally sabotaged to such a point that we were put out in exile. So that was the best way for me to spend the '80s: in the jungle, naked. Maybe there are more options now, and there's more girl groups. The only thing good that came out of the '80s was breakdancing.
Most people might think that I've come from a musical background, but nobody in my family was in any kind of band or played anything. I just picked up music from breakdancing really, that's what got me to listen to music, and in general I was just a creative guy.
I started DJing, breakdancing and MCing in the '70s and I got my record deal in 1979 with 'Christmas Rap.'
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