Readers need to see themselves between the lines of the story.
Once war consisted of individual combats between armed men. Later it was waged between lines of men in opposing trenches. Now it is organized slaughter of whole populations.
I think that learning to read between the lines of traditional media is one way to stay informed, and also realizing that eventually you're going to have to cross-reference all sorts of different information coming from different sources.
When people try to read between the lines - critics, they have a job. Their job is to make something bigger than it is.
It is?classic Bill Clinton, sincere and deceptive at the same time, requiring a careful reading between the lines.
In a very real sense, the Constitution is our compact with history . . . [but] the Constitution can maintain that compact and serve as the lodestar of our political system only if its terms are binding on us. To the extent we depart from the document's language and rely instead on generalities that we see written between the lines, we rob the Constitution of its binding force and give free reign to the fashions and passions of the day.
I was raised on the good book Jesus Till I read between the lines Now I don't believe I ever wanna see the morning
You tried to hide between the lines of a story never told.
I'm very interested in silence. And, more importantly, in what happens when people aren't talking on stage. I'm interested in letting actors play and do things between the lines. And in slowing everything down.
I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.
The people I am afraid of are the ones who look for tendentiousness between the lines and are determined to see me as either liberal or conservative. I am neither liberal, nor conservative, nor gradualist, nor monk, nor indifferentist. I would like to be a free artist and nothing else, and I regret God has not given me the strength to be one.
Yet the deepest truths are best read between the lines, and, for the most part, refuse to be written.
...all I have to do is stay in between the lines and make sure that no one is too close to me and I am not too close to anyone and keep leaving. Maybe it felt like this for her, too, but I could never feel like this alone.
But I almost think we are all of us ghosts. It is not only what we have inherited from our father and mother that “walks” in us. It is all sorts of dead ideas, and lifeless old beliefs, and so forth. They have no vitality, but they cling to us all the same, and we cannot shake them off. Whenever I take up a newspaper, I seem to see ghosts gliding between the lines.
The truth is that every true admirer of the novels cherishes the happy thought that he alone - reading between the lines - has bcome the secret friend of their author.
I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.' “I don’t want anything to happen to you,” he said urgently. “What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.
Maybe you saw her first? Caught a glimpse between the lines, between the letters, like a ghost in the mirror, a ghost in the wings?
The deep-read is when you get gut-hooked and dragged overboard down and down through the maze of print and find, to your amazement, you can breathe down there after all and there’s a whole other world. I’m talking about the kind of reading when you realize that books are indeed interactive. . . . I’m talking about the kind of deep-read where it isn’t just the plot or the characters that matter, but the words and the way they fit together and the meandering evanescent thoughts you think between the lines: the kind of reading where you are fleetingly aware of your own mind at work.
Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
I write about the trials and triumphs of contemporary life - and often the readers see themselves between the lines of the story.
I've always believed that if you are precise in your thoughts, it's not the lines you say that are important - it's what exists between the lines. What I'm compelled by most is that transparency of thought, what is left unspoken.
Stadiums fill up with people to see what's going to happen between the lines. But life isn't only about visible realities. There are invisible and unseen nuances...things that shape us into who we are.
Translation is a kind of transubstantiation; one poem becomes another. You can choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both, like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications.
I ain't the captain of the yacht, but I'm on the boat; I ain't acting what I'm not, knowing that I don't. You niggaz acting like you will, but I know you won't. Man, I read between the lines of the eyes of your brows, Your handshake ain't matchin your smile.
The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
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