When I see 16 year-olds waiting for me, I just want to spank them and give them guitars and tell them to start bands. It's a bummer that girls have to respond to rock artists sexually instead of, like, 'wow, me too!'.
I wish people would just like me for what I am, the singer in an OK new wave band.
I've never treated anyone in my band like they're not on the same level as me. I'm not that kind of person.
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to maintain a front for the audience, but in this case there literally were creative differences.
Its cool when I meet young guys from other bands who say how much an impact Aerosmith has had on them and how much they like me.I'll give 'em that 'C'mon you don't mean that' routine, but in my heart I know where they're coming from. If I had grown up in the '70's and was into rock n' roll, I know the kind of impact Aerosmith would have had on me. I know the kind of impact that Elvis and Jagger had on me, and while I'm not comparing myself to those guys, I can relate.
A lot of bands have managed to borrow parts of our style for their music. That's fine with me, because we've borrowed from people like the Stones. But we don't want to sound like we're copying anyone, including ourselves, so we're moving on.
I chose the trombone because the trombone players in the marching band got to be up front with the majorettes (because of the slides) and I loved that!
It seems to me that references to bands like Black Sabbath and Led Zeppelin meant more to me a year ago and all those old things are totally losing importance.
The underground scene is still a cool way to meet a lot of cool people, see a lot of interesting bands and get a lot of food for thought, but people have to remain curious and get their brain activity food from other places besides punk.
I tend to write pretty much by myself. I always did that anyway. I used to write with Ron Strykert 'cause he was the only guitarist and we played well together. We lived in the same place. I would play a certain style and he would kind of dance around what I did, in a sense. I learned from him and also vice-versa. With this band, I think I bounce ideas off everybody. Perhaps on the next album they'll be more collaborative stuff, but for the last 2-3 years, I've been pretty well writing by myself.
My love is new music, I tend to go and see a lot of bands, while [co-producer] Mark Cooper spends his time reading the press. It's often the new acts that strike a chord, because they aren't seen on other shows.
My all time favorite band is Paramore and she's basically one of the reasons I was inspired... umm, well Hayley Williams from Paramore was one of the basic reasons I wanted to go rock. I saw the band live and they're great together and they write incredible music and also I like a lot of older bands. I like Motley Crue a lot and who else, I've got a lot of favorite bands but those are pretty much the main ones.
Down is an incredibly important band to me. And there's one other project that may be a little tough for people to understand - it's not sonically heavy, but subject-wise it's absolutely heavy. It's a band that I've been in for many, many yearsm and I've just been waiting for the right itme, and boy, it sure is the right time. So, yeah, you will hear music from Philip Anselmo again, and it ain't gonna be nothing nice.
Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.
One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't. And clearly the ones who wrote music were more superior human beings in his mind. So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that. One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
Growing up in the Northwest, I did play in an all-girl band. I snuck into clubs. No one ever questioned or thought twice about it.
It was great being together as a band, but much more difficult being brothers than it was being in a band.
Nada Surf and Harvey Danger are good bands. I think they've just stayed true to why they play music in the first place, it's just because they love doing it and they love each other and that's the impetus for doing it, not trying to keep singles on the radio and on MTV.
Death Cab is a militantly analog band. We'll continue moving forward with our sound, but there will be no crossover.
Well, I was in a band. I was the singer with a band called the Soul Satisfiers. I sang then quite a bit of Jazz and some Top 40 stuff.
With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.
While I was into many different types of music, and played with many different local groups, I really didn't have a band to call my own until Dire Straits was formed in 1977.
The Jug Band was exactly what I wanted to do, and it wasn't my idea.
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