Australians don't have a preconceived notion of what things have to be... we can go on a fantastic journey.
All the jokes in my films, the comedy, they're not me, I just try to hold a big mirror up to us.
Can you imagine what it would be like if all the Aussie film talent was able to make Australian stories?
I just think Australia tends to make very good movies, so if someone hands me an Australian or an American film script I would guess the Australian film would be more intriguing.
All the arts are predominantly national, and therefore the Australian Film Commission should be funding us. The battle gets more and more vicious each year.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
All of a sudden, there are great Japanese films, or great Italian films, or great Australian films. It's usually because there are a number of people that cross-pollinated each other.
I was 15 years old at university, studying economics and philosophy, and I saw a retrospective of Australian film. They were very raw. 'Picnic at Hanging Rock,' 'Gallipoli;' they were fantastic.
When you're battling against the minds of the studios and the money that can go into promoting larger budget films, it's very hard for a very small-budget Australian film to get a look in. You can get critically acclaimed and go to various film festivals around the world, but that doesn't necessarily mean the majority of people are going to hear about it.
The Australian film industry has recognised Tropfest as a place to nurture young talent. It's a stepping stone between amateur and professional.
Across the board, Australian films need to have a lot more money spent on selling them.
I still, by and large, make low-budget Australian films.
I'm so used to Australian films not getting a release outside Australia.
There are a thousand weird untold stories in the Australian film industry, this has been one of them.
I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
I support all Australian films.
I always think the really unfortunate thing about the Australian film industry is its lack of momentum. And I don't mean this in a derogatory way. I'm always wanting it to pick up momentum, and I'm wondering if that's even possible.
I'm never there enough to really keep up with what's going on in the Australian film industry. I just try and be part of it as much as I can.
Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.
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