I have as much artistic freedom in my television work as I have in my films.
I don't think that artists of any kind would or could sacrifice their artistic freedom by being more responsible with their influence on people, especially young people.
There are no rules. That is how art is born, how breakthroughs happen. Go against the rules or ignore the rules. That is what invention is about.
Everybody has their own opinion and own ideas of what beauty is.
Cinema is consistently making a claim to particular memories, histories, ways of life, identities, and values that always presuppose some notion of difference, community, and the future. Given that films both reflect and shape public culture, they cannot be defined exclusively through a notion of artistic freedom and autonomy that removes them from any form of critical accountability.
Art is not a democracy. People don't get to vote on how it ends.
There arent any rules, as far as anything-and that applies especially to writing songs, whatever gets the point across. So youre just kind of brought up to feel-in any field, if you say you can do it, do it. There it is.
Just the pleasure of moving and the pleasure of using your body is, I think, maybe the main point. And the pleasure of dancing with somebody in an unplanned and spontaneous way, when you're free to invent and they're free to invent and you're neither one hampering the other - that's a very pleasant social form.
Everyone should be encouraged...in spiration and artistic freedom is the cornerstone of rock and roll.
. . . I felt I was finally in a position to affect not only the artistic content of the American theatre, but also its institutional structures. This has been an important goal of mine, as there have always been a variety of issues - artistic freedom, author's rights, access by minority groups - which have concerned me and even influenced my decision to become a playwright in the first place.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
Not worrying about the cost of materials and tools extends my artistic freedom.
I support artistic freedom and always have.
More than anything, I’m excited to have the artistic freedom and opportunity to make a sophomore record. Everybody dreads the sophomore slump, whereas I am embracing it and can’t wait to either go down in flames, or take it to another level. It’s not going to be in the middle – it’ll be one way or the other. That’s how it has to be.
I love photography and I love the art of photography. So when I'm working with high-level art photographers, I give them artistic freedom because I want that for myself when it's my turn to do my work and I never try and control it or say I'll only do this or I want it like that.
As a Liberal of course I am very strongly committed to the notion of artistic freedom and very hostile to the idea of there being a single view of cultural policy dictated from on high.
In reading, in literature and poetry, I found an artistic freedom that I didn't see at Woolworth's. I would read everything from Shakespeare to science fiction ... sometimes a book a day.
I've always appreciated people like Graham Parker or Loudon Wainwright III, who spend their entire lives writing songs and working their asses off just to have complete artistic freedom. They're just sharing their lives with you through their music. That's the same kind of work that I'm trying to do, in my own weird way.
I'm an artist, and I go in the studio and make my music. And then I'll give it to my dad and he does what he does. And he does, you know, the press, and figuring out shows and whatnot. When it comes to my artistic freedom, he doesn't, like, step on my toes or anything.
The story of The Doors is one of the most compelling in the history of American rock music; three hugely talented musicians and a lead singer whose commitment to artistic freedom was so intense he rocketed them to a success that always hovered on the edge of chaos. As an independent filmmaker this sensibility affected me greatly.
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