Aeneas carried his aged father on his back from the ruins of Troy and so do we all, whether we like it or not, perhaps even if we have never known them.
In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.
A glorious place, a glorious age, I tell you! A very Neon renaissance - And the myths that actually touched you at that time - not Hercules, Orpheus, Ulysses and Aeneas - but Superman, Captain Marvel, and Batman.
Mother of Aeneas, pleasure of men and gods. -Aeneadum genetrix, hominum divomque voluptas
Does not the passage of Moses and the Israelites into the Holy Land yield incomparably more poetic variety than the voyages of Ulysses or Aeneas?
Whatever the poets pretend, it is plain they give immortality to none but themselves; it is Homer and Virgil we reverence and admire, not Achilles or Aeneas. With historians it is quite the contrary; our thoughts are taken up with the actions, persons, and events we read, and we little regard the authors.
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