When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something.
Why do leaders fail? Isolation and inability to learn. They are afraid to express doubt, admit vulnerability or seek advice from subordinates. Leaders must actively work to seek feedback and a reality check. They must be open to asking questions and framing issues. As the world becomes more complex and global, the risk of isolation becomes greater. The need for leaders to be open to learning becomes greater. Great leaders will need to ask the right questions and balance inquiry with advocacy.
I think we're going to start to see a new model of civic advocacy where people get together once in a while to protest, but it's more about an ongoing, sustained engagement in issues, networks and communities about which people care.
Unless someone truly has the power to say no, they never truly have the power to say yes.
There's a time for debate and a time for consensus. There's a time for advocacy and time for first principles.
I never, ever have seen media this way. It's almost indescribable. Making up stories, refusing to run real stories. It's making themselves look like utter fools. There's no journalism, there is no media. There's pure, full-fledged advocacy here.
We're in a very unique time where noise equals, in a lot of people's perception, advocacy. And I fundamentally disagree with that.
I mean, I enjoy my work as an actor. But to make a difference in people's lives through advocacy and through supporting research - that's the kind of privilege that few people will get, and it's certainly bigger than being on TV every Thursday for half an hour.
I've come to be pretty selective about the type of advocacy that I do, because I kind of feel like it's stronger to just do my work and let it speak for itself.
Advocacy groups, politicians, and bureaucrats use the government to advance their private good instead of the common good.
More conservative advocacy work often encourages portrayals of trans people as people who deserve rights. Deservingness, of course, corresponds to national racial, gender and ability norms.
We as a music community have our own issues about advocacy, copyright, intellectual property, being paid fairly for the work that we do.
I am a teacher born and bred, and I believe in the advocacy of teachers. It's a calling. We want our students to feel impassioned and empowered.
Outside of my film work, my advocacy and activism is centered around inter-connection and inter-dependence.
Sex workers are the last women police stand in to protect. Sex workers are the last people that room is made for in many ways. You get a different kind of feminism if you put people at the margins at the center. It's a recently resonant lesson, but black feminists have been saying this for decades. Now when I talk to people engaged in sex workers' rights advocacy and people who identify as intersectional feminists, this is the air they breathe. We can't just make feminism about improving the lives of all women. Because there is no such thing as all women and universal female experience.
When I started doing these advocacy groups, it sort of propelled and compelled me to write songs, because otherwise I wasn't really sure what I was going to do, music-wise. I wasn't particularly motivated to write songs. But this level of humanity and spirit that I witnessed greatly impacted and so inspired me, so that I felt this sort of renewed vigor to write music. As far as how grounding it is, yeah, it's the ultimate amount of perspective.
People don't change under governments. Governments change. People remain the same.
Human rights are not the preserve of Western activists: The definition must extend to encompass the right to the dignified life; the right to send your kids to school, for that child to get health care, for access for greater prosperity for generations to come and to have a say in the destiny of your community and country. Under that definition, Rwanda has nothing to learn from advocacy groups who think they own the copyright on what constitutes human rights under all conditions in every corner of the world.
Christlike love is the greatest need we have on this planet... So if love is to be our watchword, as it must be, them by the word of Him who is love personified, we must forsake transgression and any hint of advocacy for it in others.
We either have wild places or we don't. We admit the spiritual-emotional validity of wild, beautiful places or we don't. We have a philosophy of simplicity of experience in these wild places or we don't. We admit an almost religious devotion to the clean exposition of the wild, natural earth or we don't.
The fight for free space-for wilderness and for public space-must be accompanied by a fight for free time to spend wandering in that space. Otherwise the individual imagination will be bulldozed over for the chain-store outlets of consumer appetite, true-crime titillations, and celebrity crises.
When social movements engage in legal reform, they often mobilize images of people from their constituent population who most match national norms about what "deserving citizens" are like, and use those people as spokespeople and as lead plaintiffs in legal cases. This strategy requires that people who are experiencing intersectional harm - who are vulnerable through multiple vectors of demonization and marginalization - be further marginalized and disappeared by the advocacy.
Dr. Lourie's determined and compassionate advocacy led to new and improved services for thousands of children and families across the nation... the Lourie Center has rededicated itself institutionally to continuing his important work.
In the aftermath of Hurricane Katrina, we did create Color of Change, an organization which focused on African-Americans in particular, because we felt that there was a big gap there in terms of online advocacy which had left the black community particularly vulnerable.
I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
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