The best thing that can happen to people entering creative professions is the dwindling of all other possibilities.
I love to write, so it rarely seems like work - even when it gets arduous.
I found that I could write two kinds of short stories: I could write very absurd, kind of surrealistic, funny stories; or I could write very dark, realistic - hyper-realistic - stories. I was never happy with that, because I couldn't meld the two.
I can't remember coming across a more precise evocation of innocence lost since Golding's The Lord of the Flies. With The Death of Sweet Mister, Daniel Woodrell has written his masterpiece-spare, dark, and incandescently beautiful. It broke my heart.
Waking, after all, was an almost natal state. You surfaced without history, then spent the blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present.
It's very simple. If you learn how to write well, to write with depth, cream will rise to the top. You'll get published. But, there is no secret.
Don't get me wrong, I love literary fiction. It's faux literary fiction I can't stand.
Everyone sees different things.
... scarred by wisdom she'd never asked for.
The world according to Bubba is simple - if it aggravates you, stop it. By whatever means necessary.
How am I supposed to let you go, that's all I'm asking. I want to hold you again, smell you, and, yes too, I just want you to fade. To please, please fade.
Which would be worse - to live as a monster, or to die as a good man?
Choice, I've always believed, is all that separates us from animals.
I held her, he wanted to say, and if I knew for certain that all it would take to hold her again would be to die, then I couldn't raise the gun to my head fast enough.
He wondered if this was what clinical depression felt like, a total numbness, a weary lack of hope.
I believe in God. Maybe not the Catholic God or even the Christian one because I have a hard time seeing any God as elitist. I also have a hard time believing that anything that created rain forests and oceans and an infinite universe would, in the same process, create something as unnatural as humanity in its own image. I believe in God, but not as a he or she or an it, but as something that defines my ability to conceptualize within the rather paltry frames of reference I have on hand.
The ornament of beauty, Shakespeare wrote, is suspect. And he was right. But beauty itself, unadorned and unaffected, is sacred, I think, worthy of our awe and our loyalty.
Or maybe I'd do what I always do - hang out and see what develops. Fatalist to the core.
When I was young, I asked my priest how to get to heaven and still protect yourself from all the evil in the world. He told me what God told His children;'You are sheep among wolves, be wise as the serpent, yet innocent as doves.
That's the thing about being a victim; you start to think it'll happen to you on a regular basis. It's living with the reality of your own vulnerability, and it sucks.
Grief, I swear to God, doesn't live in the heart. It lives in the senses. And sometimes, all I want to do is cut off my nose so I can't smell her, hack my fingers off at the joint.
I was not going to use writing for advertising or journalism. I would tend bar, load trucks, chauffeur - do whatever it took. But from the moment I took my first writing workshop, I was a writer.
If you are deemed insane, then all actions that would oherwise prove you are not do, in actuality, fall into the framework of an insane person’s actions. Your sound protests constitute denial. Your valid fears are deemed paranoia. Your survival instincts are labeled defense mechanisms. It’s a no-win situation. It’s a death penalty really.
I loved this woman the way you love ... well, nothing," he said, a note of suprise in his voice. "You can’t compare that kind of love to anything, can you? It’s its own unique gift.
But I often think we talk way too much in this society, that we consider verbalization a panacea that it very often is not, and that we turn a blind eye to the sort of morbid self-absorption that becomes a predictable by-product of it.
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