Wassily Kandinsky Quotes - Page 4

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• Every man who steeps himself in the spiritual possibilities of his heart is a valuable helper in the building of the spiritual pyramid which will someday reach to heaven.

  Wassily Kandinsky

  Spiritual, Heart, Men

  10 Copy quote

• An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.

  Wassily Kandinsky

  Reality, Dull, Facts

  8 Copy quote

• Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.

  Wassily Kandinsky

  Grief, Passion, Men

  Wassily Kandinsky (1970). “Concerning the Spiritual in Art: And Painting in Particular”

  10 Copy quote

• The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.

  Wassily Kandinsky

  Art, Wall, Pain

  8 Copy quote

• In place of an intensive cooperation among artists, there is a battle for goods. Hatred, partisanship, cliques, jealousy, and intrigues are the natural consequences of an aimless, materialist art.

  Wassily Kandinsky

  Jealousy, Art, Hatred

  Wassily Kandinsky (1970). “Concerning the Spiritual in Art: And Painting in Particular”

  10 Copy quote

• The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.

  Wassily Kandinsky

  Art, Future, Use

  Wassily Kandinsky (2015). “Concerning the Spiritual in Art”, p.37, Sheba Blake Publishing

  10 Copy quote

• Today is the great day of one of the revelations of this world. The interrelationships of these individual realms were illumined as by a flash of lightning; they burst unexpected, frightening, and joyous out of the darkness. Never were they so strongly tied together and never so sharply divided.

  Wassily Kandinsky

  Darkness, Great Day, Together

  5 Copy quote

• The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.

  Wassily Kandinsky

  Depth, Triangles, May

  Wassily Kandinsky (2015). “Kandinsky”, p.23, Parkstone International

  9 Copy quote

• Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.

  Wassily Kandinsky

  Art, Past, Trying

  6 Copy quote

• Efforts to revive the art principles of the past at best produce works of art that resemble a stillborn child.

  Wassily Kandinsky

  Art, Children, Past

  Wassily Kandinsky (1983). “Kandinsky, Russia and the Bauhaus, 1912-1932: January 5-Febr Uary 11, 1984”

  8 Copy quote

• Those [things] that we encounter for the first time immediately have a spiritual effect upon us. A child, for whom every object is new, experiences the world in this way: it sees light, is attracted by it, wants to grasp it, burns its finger in the process, and thus learns fear and respect for the flame.

  Wassily Kandinsky

  Spiritual, Children, Light

  7 Copy quote

• A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.

  Wassily Kandinsky

  Inspiring, Art, Envy

  Wassily Kandinsky (2015). “Kandinsky”, p.59, Parkstone International

  6 Copy quote

• When I was thirteen or fourteen I bought a paintbox with oil paints from money slowly saved up. The feeling I had at the time - or better - the experience of color coming slowly out of the tube - is with me to this day.

  Wassily Kandinsky

  Color, Oil, Feelings

  6 Copy quote

• Painting took on a fabulous strength and splendor; the object was discredited as an indispensable element of the picture.

  Wassily Kandinsky

  Elements, Fabulous, Splendor

  17 Copy quote

• The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.

  Wassily Kandinsky

  Eye, Artist, Soul

  Wassily Kandinsky (1970). “Concerning the Spiritual in Art: And Painting in Particular”

  5 Copy quote

• Drawing instruction is a training towards perception, exact observation and exact presentation not of the outward appearances of an object, but of its constructive elements, its lawful forces-tensions, which can be discovered in given objects and of the logical structures of same-education toward clear observation and clear rendering of the contexts, whereby surface phenomena are an introductory step towards the three-dimensional.

  Wassily Kandinsky

  Drawing, Perception, Training

  7 Copy quote

• There is, however, in art another kind of external similarity which is founded on a fundamental truth. When there is a similarity of inner tendency in the whole moral and spiritual atmosphere, a similarity of ideals, at first closely pursued but later lost to sight, a similarity in the inner feeling of any one period to that of another, the logical result will be a revival of the external forms which served to express those inner feelings in an earlier age.

  Wassily Kandinsky

  Spiritual, Art, Sight

  Wassily Kandinsky (2015). “Concerning the Spiritual in Art”, p.15, Sheba Blake Publishing

  4 Copy quote

• Every artist, as child of his age, is impelled to express the spirit of his age.

  Wassily Kandinsky

  Art, Children, Age

  Wassily Kandinsky (2015). “Concerning the Spiritual in Art”, p.51, Sheba Blake Publishing

  5 Copy quote

• I let myself go. I thought little of the houses and trees, but applied colour stripes and spots to the canva... Within me sounded the memory of early evening in Moscow, before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.

  Wassily Kandinsky

  Strong, Memories, Eye

  "Kandinsky" by Frank Whitford, Paul Hamlyn Ltd, London, 1967.

  7 Copy quote

• The artist must be blind to distinction between 'recognized' or 'unrecognized' conventions of form, deaf to the transitory teaching and demands of his particular age.

  Wassily Kandinsky

  Teaching, Artist, Age

  Wassily Kandinsky (1977). “Concerning the spiritual in art”, Dover Pubns

  4 Copy quote

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