You can read all the textbooks and listen to all the records, but you have to play with musicians that are better than you.
A good quartet is like a good conversation among friends interacting to each other's ideas.
My life is music, and in some vague, mysterious and subconscious way, I have always been driven by a taut inner spring which has propelled me to almost compulsively reach for perfection in music, often - in fact, mostly - at the expense of everything else in my life.
Other than conversation, no other art form can give the satisfaction of spontaneous interaction like Jazz.
The value of jazz still has to be clarified. People involve themselves with its superficialities without digging for its soul.
It’s like a language. You learn the alphabet, which are the scales. You learn sentences, which are the chords. And then you talk extemporaneously with the horn. It’s a wonderful thing to speak extemporaneously, which is something I’ve never gotten the hang of. But musically I love to talk just off the top of my head. And that’s what jazz music is all about.
You don't rehearse jazz to death to get the camera angles.
I cannot play a lie. I have to believe in what I play or it won't come out.
We recorded to document ourselves, not to sell a lot of records.
I compulsively reach for perfection in music, often at the expense of everything else in my life.
The saxophone is actually a translation of the human voice, in my conception. All you can do is play melody. No matter how complicated it gets, it's still a melody.
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